Enjoy my study sheets and my final drawing of a postage stamp with a composition of two swans (male & female), a lotus plant, and a dragonfly. I used Derwent Graphitints and a Winson & Newton fine-liner, both excellent products. Graphitint behaves so wonderfully and Winson & Newton fine-liners are a dream for drawing tiny swan feathers.
I am accepting commissions for personalized postage stamp designs.
This is a large graphite drawing (about the size of A3) beautifully and softly rendered, titled ‘Praising Plants’. I have set up this drawing as a way to show gratitude towards (house) plants. They provide us with oxygen, hence the text ‘Thank Your for your O2,’ a word rhyme that names oxygen by its element. Instead of drawing plants in pots, I have used a frame decorated with Ginkgo leaves. These leaves are found near Ginkgo trees, often in growing in botanical gardens or in Asian cities. Inside the border, I have added two plant motifs, Acanthus and Pimpernel Bay-leaf Manilla, inspired by William Morris, a British textile designer, poet, novelist, translator, and socialist activist associated with the British Arts and Crafts Movement. The two other plant motifs are designed by me; Bamboo and Lotus flower.
One should see this drawing as a garden, as a local botanical garden in which one can deeply relax and become thankful for what plants do for us. Not only do they provide us with oxygen, but also with soul nourishment and above all, with beauty. Frame this drawing and feel inspired by what plants mean for us and how they can enchant us with their intricate patterns. I sell this original and there are no copies available. This makes this drawing unique gift.
Decades back, I read a remark that most people dare not to accept their greatness. Today such quote would provoke criticism because currently there are too many inflated egos grabbing power and money. If it wasn’t for the middle class, the mediocracy, the sane and well balanced mass, and the majority of people who ‘Stay Calm & Carry On’ that we are still sailing through epic well-fare inequalities without revolt. So, bravo for this ‘middle’ group. However and despite of living through this inflated ego era, the quote recently inspired me to run an experiment as I applied in solely on art practice.
I know what I am good at in my studio. But what would happen if I would go beyond choosing the comfortable or predictable performance practice? What if I, after feeling inspired, would dismiss my first impulse to work, hit a pause button, and dwell a day or two on the question of how can I work with this idea on a next ‘greater’ level? And with the next level I mean higher quality of tools, larger in size, and/or more daring in execution (the latest prerequisite/demand being the most difficult to imagine). Well, it has been fruitful to run such experiment. It has resulted in opening my oil paint box that had been closed for over 2 years. The smell of the tubes and the well-known names of the classical palette…mmmm! And touching a large white canvas, already seeing with my mind’s eye a primarily lay-out (the size of the canvas scares me). The ‘next level’ might still not be something great, instead it probably is still very modest, but the process of lifting up yourself to a higher and more daring level has certainly given much joy and has nourished my creativity.
My booklet at Amazon.com & Amazon.co.uk and, of course, Etsy. I can not add a lovely art card to your order when you order at Amazon, however I will add on one should you order at Etsy.
Drawings of blue ceramic bowls with mini ‘Zen’ gardens, Zebra or flowering Echeveria succulents, and stacked Killiney beach stones, geological treasures from Ireland. The Irish beach stones have such elegant and surprising patterns.
The Zebra cactus and succulents were the best thing to draw because I like drawing plants that have leaves growing into the direction of the viewer. For drawing such perspective you need a technique called foreshortening. Think about the figures of God, angles, and saints in Michaelangelo’s Sistine Chapel.
Michaelangelo mastered the skill of foreshortening effortlessly. One can do the same with flowers and plants, actually with everything that is three-dimensional. Like my tulip having one petal opening towards the direction the viewer.
Back to my still-life drawings. This tiny ‘Zen’ gardens survived our international move and are waiting patiently for ‘Spring comes, and the grass grows by itself‘ (Lao Tzu).
Stay safe & stay warm!
Round Blue Pot at Etsy & Oval blue flower pot at Etsy
My booklet ‘Birds, Butterflies, Fish & Botany’ is very low in price at the moment on Amazon.co.uk. Seize the opportunity! You won’t regret buying this booklet with 13 of my drawings and texts. My art friend Sybille recommends it especially for those who need to stay home due to being ill as my booklet takes the reader outside admiring Birds, Butterflies, Fish & Botany.
The same counts for a book made by my art friend Judy Barends. She recently published a lovely book with her watercolour artwork. Thematically there isn’t much difference between Judy and my work, as we both find great pleasure in drawing and painting Nature’s treasures. However, when inspired, Judy grabs for her watercolours, and I open by box with my coloured pencils or oil paints. Judy’s text are poetic and mine are more like stories; both our booklets are observational nature journals. For Judy’s book, go to her website.
I ventured into Sashiko embroidery for a while. Sashiko, Japanese traditional pattern stitching, is an interesting geometrical and embroidery challenge. Equally interesting is discovering the meaning of old Japanese patterns that Sashiko uses; some refer to nature scenes. Like ‘Linked Plovers or Chidori Tsunagi’:
Do you see a flock of birds, flying from down-left to upper-right?
Or look at ‘Wind blowing Grasses or nowaki’,
And there is ‘Diamond Blue Waves or hishi seigaiha’.
With the help of transparent geometrical templates bought Aliexpress, I copy and design the Sashiko patterns on paper and later transfer them to fabric. What I also like about the stitched geometry of Japan is the level of abstraction of the designs. Iron Age artists mastered abstraction too; think about the Uffington White Horse in the UK.
As I love using details and details in details, abstraction is a nice challenge to me. Which lines can you erase and still have a flower, a bird, or a horse? Which lines are essential? And how does a geometrical design help the human brain to perceive abstract images and connect them to our life? Sashiko is a creative challenge and from there you seem to develop more and more creativity.
I lived some months near a duck pond in Ireland and that increased my appreciation for these capable birds. Yes, capable. We tend to think ducks are hilarious and silly, like geese, but ducks are threefold capable; they can fly long distances, dive deep, and can spend days on water. Mandarin ducks are perhaps the most loved ducks because they symbolize friendship, loyalty, and love. You send a Mandarin Duck card to somebody to invite or celebrate a long-lasting friendship, loyalty or love. Mandarin duck drawings and prints are my best selling items of my Etsy shop. It is a nice to make art that celebrates love and friendship.
P.S. The cards come with a full coloured inlay, a seal sticker, and on its backside a decent sticker that says my name and website.
P.S. I promised eye-candy? Here is a corner of my studio. It was easy to set up. Not so easy is setting up a studio exhibition of my drawings as there are too many and I prefer to keep them safely stored in my portfolio case. So, if you like to see my work, pop over to my Etsy shop or browse through my website. I remember deleting a fast amount of my work after discovering copies on other sites, still this website shows that I love to capture Nature’s beauty, mainly birds, butterflies, koi fish & botany.
For the sole purpose of inspiring you, I like to show you what dropped in my mail box from Japan; two lovely packages with beautiful Sashiko threads. I chose these colours for representing Earth and Ocean. The earth being dressed up in autumn colours and the ocean with different hues of blue and green.
You can travel the world by car or plane but you can also travel through the world of crafts. I wrote in a former blogpost that I can’t exactly remember how I ventured into the world of Sashiko. But by dwelling in the world of Sashiko, I noticed how beautiful some Japanese hand-dyed threads are. I come across a lot of thread that I can’t order because I can’t read Japanese. However, these threads I found at the Japanese Amazon and they will soon assist me in creating a Sashiko display that is both experimental and (hopefully) decorative. Before you think, ‘Paula has traded her pen and pencils for needles’. No. Certainly not. Please, return soon for more creative updates and inspiration.
Love from Paula
P.S. Being back in the Netherlands, I designed a new, bilingual name card. I also re-activated my Etsy shop. It needs some tweaks but it shows that I am back again after a long Irish sabbatical.
I am setting up my studio. My inspirational cabinet shows some of the treasures that I found on the beach, woods, or meadows. On display are my precious deer skull, an ox horn (bought), a sheep horn from Manx (Isle of Man), an unknown horn, shells, Killiney beach stones, fossilized wood (gift), grey washed beach wood, and bits of old iron.
I found that rusty part of a vehicle on a farmer’s track in the Wicklow Mountains (🇮🇪) and decided to, very appropriately, use it as a frame for Raffaello Sanzio’s Putto holding Vulcan’s tools. Vulcan is also known as Hephaestus, the Greek god of blacksmiths.
Also on display is my ‘cave painting’ art print with the Venus of Willendorf and the Lionman. Did you know the Lionman (Löwenmensch) isn’t per-se male? The name Lionman is a word contraction of Lion & Human. I wrote an essay on prehistoric hand stencils, which you will be able to find here. ‘Dead’ treasures can still be beautiful and some clearly haven’t lost their quality to inspire. Without being Gothic, I think that much inspirational energy seems to be stored in nature treasures. Drawing inspiration from nature doesn’t always have to come from flowers or fluttery butterflies. Do you agree?
N.B. After having taken a long Sabbatical with my Etsy for studying at Oxford Department of Continuing Education, I yet have to update my shop. However, the good news is, my shop is online again. Should you like to purchase my booklet, art prints or original drawings, please contact me. By Christmas, I will have my shop neatly organized again.
I will keep you posted on a very pretty Mid-Winter, Yule, or Christmas drawing that I have in mind. I might turn it into a card too, like my Celtic Wild Boar card. You can watch the process of designing my Celtic Boar card here.
P.S. To my loyal online art friends, I am very sorry for having neglected your updates. I just moved the last box out of our apartment. My studio is coming along pretty well. You haven’t fallen from my radar. I am just still very busy with getting settled. I am longing very much for routine and returning to drawing and painting, and staying in touch with you all.
Last year, I drew all Feng Shui’s elements. To help you remembering my drawings, I add a small compilation of my work.
My 5 large, circular, artistic compositions that are now decorating one wall of our living room. I wrote a booklet about this creative process named ‘Feng Shui, A Creative Approach‘. After I had framed my Five Elements, I felt that this project was too inspiring to bring to a close. With our rooms already carefully evaluated on a harmonious representing of the Five Elements, I still wasn’t ready to leave this subject behind me. I printed small prints of my drawings and gave them to various friends. Sybille, a long and very creative art-friend delighted me with framing these mini-prints. (Click here to see her display of the mini-prints). For myself I printed my drawings on fabric, using Spoonflower. I framed the fabric prints with hoops. Somehow, they were begging for more creativity. I gave in eagerly, of course, and looked for nice embellishments to add to the hoop. Thus, I created an engaging hoop-sized display of Water, Fire, Wood, Earth & Metal.
For Feng Shui’s Wood- element, I added a wooden button and a small wooden stick. I added a metal coin, a beautiful one to the fabric showing my Metal-element interpretation. This coin was in 2017 design for the Isle of Man £1 coin features two birds – a Falcon and a Raven. These birds are symbolically associated with the Island and feature on the Coat of Arms.
Adding an embellishment for Feng Shui’s Fire-element offered a challenge. Yes, of course, I could set my hoop alight but that would result in a very short-lived representation! It took me some time to find a solution. Ashes, perhaps? No, ashes are represented by Earth’s element. Artificial flames? No thanks, too kitsch. In the end, I opted for adding Red Dragon Beads, Dragons breathing fire and these beads showing interesting carvings. I attached them to a loose string, causing some movement. After all, fire is in constant motion, unless water that be still. Equally, I faced difficulties with adding a truthful water-element as an embellishment. After all, I can’t have a soaked and dripping piece of artwork hanging on my wall, but the dripping inspired me. Thus, I added watery looking, droplets decoratively to the hoop. Earth…what to do with Earth? Rubbing in my artwork in with dirty soil? No, of course. It seems better to add Feng Shui’s jewellery for the Earth element with terra-cotta coloured gemstones. All in all, this project resulted into an interesting and engaging display of Feng Shui’s element, artistically approached.
Have you ever wrapped your creative mind around Feng shui’s elements? As I hold a MA degree in Philosophy, I am interested to dive deeper into creatively expressing elements. Feng Shui covers 5 elements, but ancient philosophers wrote about more elements: Air and Aether. Air & Aether certainly pose a near impossible artistic challenge! I will keep you posted.