Commission Artist – Paula Kuitenbrouwer

Ode to Hestia (Vesta)

In Ancient Greek religion, Hestia is the goddess of the hearth and of harmony within the family. She is the goddess that many mothers identify with. Perhaps women identify with Aphrodite when they are young, with Athena when they are -for instance- battling for a better education for their children, but certainly they might often feel in the role as Hestia when they work around the clock to create harmony (and health) for their family. Even fathers or home keeping men are allowed to identify with Hestia’s harmonizing and health promoting qualities.

This drawing of Hestia, however, is an ode to my beloved, late mother (who, at times, was a political active Athena as well). She was a nurse and teacher of young nurses, and she knew how to keep a person, a whole family, even a larger social circle in harmony and in good health.

I placed Hestia’s statute in a classical and elegant park. This park does not exists in real life. It is designed by me by putting together elements and thus creating an imitate and elegant scenery. Behind the fence one notices Demeter (Ceres) with her beautiful daughter Persephone (Proserpina). I placed the three women in the same garden but Hestia is on the other side of the water, slightly distanced from Demeter and Persephone, referring to two different realms, that of those alive and the other side. This is a family portrait although few will know or notice.

Hestia, Demeter & Persephone in an elegant, classical garden.

Should you like this classical , monochromatic work, and should you consider a family portrait, or a narrative drawn or painted in a symbolic way, contact me freely to discuss your wishes. I also accept commissions for book plates (Ex Libris), PhD graduation gifts, birthday or birth-name commissions, wedding, and mourning drawings.

Paula Kuitenbrouwer

Utrecht

at Etsy

At Instagram

Bullfinches, Woodcocks and Honeysuckle

Honeysuckle

Honeysuckle plants are both delicate and very strong. I drew this branch because it grew in our Belgium garden. The former owner of our house had planted a few honeysuckle plants for his blind friend. Upon saying: ‘I don’t mind whether we sit in or outside because I can’t see your garden’, the former owner would reply; ‘You can’t see the garden but you will be able to enjoy its scent’. Honeysuckle plants have a lovely fragrance that is best smelled later in the evening when a garden gets a bit damp. The damp morning and evening air carries the perfume of the plant.

Woodcocks

Woodcocks are remarkable birds. They are rare in the Netherlands. Recently, I found a dead one in Nienhof, near Utrecht. It was at the end of a bitterly cold week and the woodcock probably suffered from not being able to dig for food in the hard soil. Next to that, woodcocks have a long list of enemies. Cats, martens, hawks, sparrow hawks, falcons, jays, magpies and humans who like to hunt and eat them. Imagine how hard it is for woodcocks to raise a successful nest despite its awesome camouflage colours that resemble tree bark beautifully. With so many enemies, surrounding you 360 degrees, it is said that woodcocks can transport their fledgeling from place to place. The woodcock will lift up its young with its long legs and transports it to a better place. Apart from starlings reported to lift up their fledgeling by their bill to a higher branch, I have not heard birds are capable keep their fluff balls away from prowling cats, rats and squirrels.

Bullfinches

This drawing of a Bullfinch couple was inspired by observing a couple of bullfinches foraging through trees while staying together physically and conversationally. ‘Are you still near, sweetheart?’, ‘Yes, darling, right behind you’. ‘Aren’t the seeds and tiny bugs of this restaurant not wonderful, sweetheart?’, ‘Oh, yes, sweetie pie, just amazing and look how the sun filters through the branches’. ‘Glad you like it, honey’.
The sun indeed showed beautifully on the plumage of the male bullfinch. His red chest stands out. For observing the well camouflaged female, I needed my binoculars. When she sat still, she blended in so amazingly. But their constant chatting, thus maintaining their bond, gave away that there was a female. Finding her felt like winning a price. ‘There she is!’ I drew them how I observed them; happily going about their day.

Paula Kuitenbrouwer

Commission artist & freehand work at:

Selling at Etsy

Portfolio at Instagram

Hercules Statute Utrecht Netherlands

In my hometown of Utrecht, on two Rococo houses alongside the ‘Nieuwe Gracht’, stands Hercules holding the sky onto his shoulders. The ancient story goes that Hercules has taken up the firmament for Atlas allowing the old Titan a brief moment of respite to take up one of his labours.

I had to correct Hercules’ legs because all reference photos are taken from street level, and Hercules stands on top of a four story house, and it therefore the statute showed too short legs. I’ve elongated Hercules’ legs to create a level frontal view.

Hercules looks strong, but he is a demigod and demigods can do things we mortals can not. Yet, the maker of this statute, the Dutch sculptor Ton Mooy, has given Hercules a tormented expression.

I kept wondering why I like this Hercules. When I was about to draw his hair and face, I remembered. I had seen this kind of hair and facial expression before. Hercules has the same hair as Vercingetorix (see photo) and a similar tormented expression as the statute of the Dying Gaul (see photo), an Ancient Roman Hellenistic sculpture. There is beauty in showing that extraordinary strength and bravery often comes with pain.

Dying Gaul

Hercules Utrecht Statute by Ton Mooy, drawing by Paula Kuitenbrouwer

Herculus in Utrecht City Centre, drawing by Paula Kuitenbrouwer, Statute by Ton Mooij.

Herculus/Aardkloot/Nieuwe Gracht Utrecht by Ton Mooy

By Ton Mooy

Vercingetorix

Paula Kuitenbrouwer

At Etsy & at Instagram

New Work in the Making

I am working on the successor of ‘Praising Plants‘, ‘Ode to All Oak Trees‘ and ‘Sophisticated Succulents‘ and returning to William Morris for inspiration. For years, William Morris didn’t appeal that much to me because I was still under the influence of my study of Dutch Baroque floral painters. They, as no one else, could create depth and a feeling as if you were looking at a real bouquet. They positioned their composition in such way that a large flower vases, with all seasonal flowers, would stand proudly on show and you could -in your mind- walk around it. You would admire not only the flowers but also water-drops and insect that rested on big and small petals. But, of course, you were looking at an illusion. Dutch floral painters studied flowers, one by one, made sketches on them, and then set up a composition as if all flowers were all in bloom at the exact same time, which is never the case in nature. A wonderful illusion; a much admired illusion. William Morris looked one dimensional compared to these baroque painters, yet, I learned to see that compared to many modern flower designs, Morris certainly isn’t one dimensional. He may not create as much depth as I would like to see, but he weaves flower stems, creating the feeling as if you are in nature and looking at bushes, trees, and flower beds. Some flowers are near, some further away.

My drawing will have another lovely title using again a two word alliteration. You are invited to guess. However, before doing that, one needs some botanical knowledge and isn’t that not exactly what makes us love William Morris? He educates and inspired us with his design, botanical knowledge, and colourful palette.

William Morris mainly scatters and extends broad leaf foliage, flowers, and sometimes animals for the purpose of creating a repetitive, yet not too repetitive, wall paper design. There is a difference in what we expect from wall-paper, a painting, and from a mural. We expect a mural to trick us like Harry Potter on Platform 9 ¾ : we like to run into the world that is suggested by a mural. Wall-paper, on the other hand, aims at supporting the design and décor of a room. Wall-paper must suggest less depth than a mural or painting, but more than a brick wall, by weaving the stems of flowers and using the technique of foreshortening, Morris does exactly that however not overly.

I have yet many white spaces to fill up with my own designs; this way of freehand drawing is enjoyable.

Here you find more on my William Morris Trellis watercolour painting. (Click here)

Paula Kuitenbrouwer At Etsy & Instagram

Cernunnos Inspired Stag in Ancient Worlds

The oldest (Celtic) god is Cernunnos, depicted with the antlers of a stag, seated cross-legged, associated with animals, and holding or wearing a torc (is a large rigid or stiff neck ring in metal, made either as a single piece or from strands twisted together).

Not much is known about Cernunnos but interpretations identify him as a beneficent god of nature, life, or fertility. I find it interesting that Cernunnos is half man, half stag. We clearly like to relate ourselves to such a magnificent animal. It looks well built yet elegant, noble and humble, strong but vulnerable.

I remember driving on Island of Mull and being redirected due to roadworks. As we continued our journey on small roads, all the sudden a huge stag stood in front of us. My husband stopped the car and for a moment we looked in awe to this mighty animal. It looked at us and we looked at him with instant respect, so close and intense was the encounter, that we can still recall the moment, decades later. It will linger in our memory probably forever.

Stag Drawing copyright Paula Kuitenbrouwer

Stag Drawing Antlers shapshifting into birds that fly to the moon. Copyright Paula Kuitenbrouwer

It is therefore that I have drawn stags and deer often. The challenge is always to capture the strength and elegance. Recently, I drew a full stag but I was disappointed because it didn’t stand out. It had not the mightiness that I was looking for. I then applied the ‘Celtic’ method of looking which lines and shadows were essential and which I should leave out. Say 90% of my initial lines were erased and as a result I not only ended up with a more powerful stag, the space that became available allowed me to work on applying beautiful lines and figures (see how the eyes of the stag are also birds). Thus, the stag is complied of many seemingly loose elements, connecting and giving it form.

Ancient Stones — Ancient Stone Graves Copyright Paula Kuitenbrouwer

I placed it in an ancient Upperworld, Middle world, and Underworld. The Upperworld shows the sun and the moon and the antlers of the stag shapeshift into birds that fly away, symbolizing a shamanistic journey to the Upperworld. The Middle world is shown as tree branches and tree trunks. The Underworld can be entered by visiting an ancient burial site, or being close to dolmens, as is the belief of ancient peoples. I knitted all worlds together by using patterned borders.

Paula Kuitenbrouwer

At Etsy

Artist Info: I used Derwent Graphite H7 and H3 only, on Winsor & Newton cold press paper. Using only Derwent H pencils gives a drawing very soft tones. Personally, I favour this, but others might judge that it needs more enforcement of darker areas. A few small prints of my drawing show a more enhanced or ‘harder’ version. There are many ‘Celtic’ pattern vectors freely available but I decided to design my own irregular patterns.

Artist at mindfuldrawing.com

At Instagram & Etsy