Follow the progress that I make drawing three lovely houses located at the Nieuwe Gracht, Utrecht. This large drawing demands much patience because these three pearls are full details. I will update this blogpost regularly. For videos on this project, visit my Instagram account @mindfuldrawing. Contact me for questions and commissions.
In my hometown of Utrecht, on two Rococo houses alongside the ‘Nieuwe Gracht’, stands Hercules holding the sky onto his shoulders. The ancient story goes that Hercules has taken up the firmament for Atlas allowing the old Titan a brief moment of respite to take up one of his labours.
I had to correct Hercules’ legs because all reference photos are taken from street level, and Hercules stands on top of a four story house, and it therefore the statute showed too short legs. I’ve elongated Hercules’ legs to create a level frontal view.
Hercules looks strong, but he is a demigod and demigods can do things we mortals can not. Yet, the maker of this statute, the Dutch sculptor Ton Mooy, has given Hercules a tormented expression.
I kept wondering why I like this Hercules. When I was about to draw his hair and face, I remembered. I had seen this kind of hair and facial expression before. Hercules has the same hair as Vercingetorix (see photo) and a similar tormented expression as the statute of the Dying Gaul (see photo), an Ancient Roman Hellenistic sculpture. There is beauty in showing that extraordinary strength and bravery often comes with pain.
Hercules Utrecht Statute by Ton Mooy, drawing by Paula Kuitenbrouwer
Herculus in Utrecht City Centre, drawing by Paula Kuitenbrouwer, Statute by Ton Mooij.
Herculus/Aardkloot/Nieuwe Gracht Utrecht by Ton Mooy
The mandarin ducks (Aix galericulata) have carefully chosen a place to rest. They seems to blend in with the dark background, thus if necessary, they will respond quickly by taking to the waters and thus escape predators. The river is calm, the forest is rich in sounds and smells, and all is well. The reflection of the lovely couple is visible in the calm water. Birds are flying over.
The duck and drake have just decided to take a rest and have already positioned themselves on the bank. The duck is checking the left, the drake checks the right, if all feels safe they will soon tuck their bills into their wings and take a nap. After that they will look for food again, synchronized as they are. They are life long partners, like swans. In Asia mandarin ducks represent love and loyalty. On the photos of this drawing, you will notice a few wooden ducks. They are used, in Asia, like drawings, prints and paintings, to enhance feelings of love and loyalty in homes and rooms between couples. Seeing bonding ducks, seeing how synchronised they are, makes people long for a deep belonging, a deep bond between lovers.
This is a softly rendered graphite drawing. On my Etsy home page and Instagram you can watch a video of the making of this drawing. I have done many Mandarin duck commissions for homes, weddings, engagements, stationary, or meditation/sleeping rooms. Contact me should you have specific wishes regarding a mandarin duck drawing. Also, have a look at my shop where you will find mandarin duck mini-prints, cards, and full colour drawings. May I advise to have a full colour drawing of mandarin ducks in a monochromatic coloured room and a softly rendered graphite drawing in a colourful room?
Artist information: Derwent graphite H-series pencils on Arches hot press paper 31-41 cm. Winsor & Newton Varnish Spray.
Ornithological information: Although Mandarin ducks are Asian ducks, Dutch park and estate owners buy these ducks to add some bright colours to their duck ponds or castle moats. Mandarin ducks then need nesting facilities because in nature they breed inside tree cavities. They seem to do well in Dutch weather. I am very lucky to have spotted them nearby my home town. One thinks that they stand out splendidly, but I can assure you that even the very colourful drake often seems to blend in its surroundings perfectly.
My ‘Gate to Heaven’, a lovely gate is located not too far away from my home, at Bruntenhof, Museumkwartier in Utrecht.
In real, there is no flower vase, just pavement in front of this gate. I received some feedback, stating: ‘There is a great difference between a photo of this gate and your drawing. A photo shows beautiful stonework but you have drawn something dreamy and poetic. The gate has become a portal to another world. You can walk through it and find yourself in a Medieval landscape with knights and dryads‘. I think the feedback itself is rather poetical, don’t you think? Such sensitive feedback stimulates me to make even more progress.
This gate can be found at Bruntenhof, Museumkwartier in Utrecht, in the centre of the Netherlands. It dates back to 1620. But it could be any gate, a dream gate, a portal to heaven, to another world. Gates are symbolic and often stand for a transformation or travelling between worlds. Gardens are set apart from manor houses by a gate. People drive through gates to enter an estate. Gates impress, transform, and show style; Roman, Art Nouveau, Classical, Medieval or gates are used for defence purposes. Drawings of gates can mean so much and are open to your interpretation.
Commissions are welcome for drawing a favourite place be it a gate home, residence, manor house, hotel, garden, holiday-home, estate, or apartment. Contact me for discussing your preferences.
I am working on the successor of ‘Praising Plants‘, ‘Ode to All Oak Trees‘ and ‘Sophisticated Succulents‘ and returning to William Morris for inspiration. For years, William Morris didn’t appeal that much to me because I was still under the influence of my study of Dutch Baroque floral painters. They, as no one else, could create depth and a feeling as if you were looking at a real bouquet. They positioned their composition in such way that a large flower vases, with all seasonal flowers, would stand proudly on show and you could -in your mind- walk around it. You would admire not only the flowers but also water-drops and insect that rested on big and small petals. But, of course, you were looking at an illusion. Dutch floral painters studied flowers, one by one, made sketches on them, and then set up a composition as if all flowers were all in bloom at the exact same time, which is never the case in nature. A wonderful illusion; a much admired illusion. William Morris looked one dimensional compared to these baroque painters, yet, I learned to see that compared to many modern flower designs, Morris certainly isn’t one dimensional. He may not create as much depth as I would like to see, but he weaves flower stems, creating the feeling as if you are in nature and looking at bushes, trees, and flower beds. Some flowers are near, some further away.
My drawing will have another lovely title using again a two word alliteration. You are invited to guess. However, before doing that, one needs some botanical knowledge and isn’t that not exactly what makes us love William Morris? He educates and inspired us with his design, botanical knowledge, and colourful palette.
William Morris mainly scatters and extends broad leaf foliage, flowers, and sometimes animals for the purpose of creating a repetitive, yet not too repetitive, wall paper design. There is a difference in what we expect from wall-paper, a painting, and from a mural. We expect a mural to trick us like Harry Potter on Platform 9 ¾ : we like to run into the world that is suggested by a mural. Wall-paper, on the other hand, aims at supporting the design and décor of a room. Wall-paper must suggest less depth than a mural or painting, but more than a brick wall, by weaving the stems of flowers and using the technique of foreshortening, Morris does exactly that however not overly.
I have yet many white spaces to fill up with my own designs; this way of freehand drawing is enjoyable.
Here you find more on my William Morris Trellis watercolour painting. (Click here)
After my ‘Praising Plants’, a large graphite drawing that was sold rather quickly, I decided to continue with botanical theme-drawing and thus I designed ‘Ode to All Oak Trees’.
‘Ode to All Oak Trees’ copyright by Paula Kuitenbrouwer
‘Ode to All Oak Trees’ copyright by Paula Kuitenbrouwer
This drawing has a large oak tree as it centre piece, decorated with William Morris botanical motifs and leaves freehand drawn as its border. In spring a single oak tree produces both male and female flowers (catkins). The acorns are its fruits. We use both the acorns and cupule for crafts while jays eat them and squirrels store them for the winter. Oak wood was often used for building churches because of the density, great strength, and hardness. It is very resistant to insects and fungi. Oak wood was also used for building Viking ships and in Medieval times it was used for interior panelling of prestigious buildings. Oak was used for making barres to store wine and whiskey; its okay, vanilla like flavour is favoured. Mistletoe growing on oak trees were most treasured by druids in Celtic communities; it was harvests with golden sickles.