Commission Heraldry

It is such fun to work on this commission that shows a unicorn. How do unicorns look like? I did some research. Apparently unicorns have sheep-like faces and the tails of a wild boar, a lion, or a donkey. Their bodies sometimes look like sheep, dogs, horses, or deer. Baby unicorns look lovely. Their horns are often tall, sometimes short but most of the time twisted. Unicorns get killed frequently, sometimes snuggle up to Medieval ladies, or get used as horses or donkeys. They fight too, especially with lions. They often have horse or deer hooves sometimes lion paws. They are elegant or not; victim or aggressor. Thus drawing a unicorn feels like drawing a composite mammal; I even had to look up the spiral tusk of a narwhal, our sea-unicorns. The preferences were; snow-leopard print on the back, a beard and curly hair near its hooves.

Paula Kuitenbrouwer

On Etsy.

Heraldry Commission

Mandarin Duck Cards & Studio Candy

img_4848I lived some months near a duck pond in Ireland and that increased my appreciation for these capable birds. Yes, capable. We tend to think ducks are hilarious and silly, like geese, but ducks are threefold capable; they can fly long distances, dive deep, and can spend days on water. Mandarin ducks are perhaps the most loved ducks because they symbolize friendship, loyalty, and love. You send a Mandarin Duck card to somebody to invite or celebrate a long-lasting friendship, loyalty or love. Mandarin duck drawings and prints are my best selling items of my Etsy shop. It is a nice to make art that celebrates love and friendship.

Paula Kuitenbrouwer

Artist, Author & Expat

‘Birds, Butterflies, Fish & Botany’

P.S. The cards come with a full coloured inlay, a seal sticker, and on its backside a decent sticker that says my name and website.

P.S. I promised eye-candy? Here is a corner of my studio. It was easy to set up. Not so easy is setting up a studio exhibition of my drawings as there are too many and I prefer to keep them safely stored in my portfolio case. So, if you like to see my work, pop over to my Etsy shop or browse through my website. I remember deleting a fast amount of my work after discovering copies on other sites, still this website shows that I love to capture Nature’s beauty, mainly birds, butterflies, koi fish & botany.

 

Ma, a Japanese aesthetic principle, in my three bird drawings

I’d like to show three paintings in which I have incorporated Ma, a Japanese aesthetic principle. Ma is described as ‘an interval in time and/or space’, thus referring to empty spaces, vagueness or abstraction. Empty spaces, in which nothing seems to happen, are full of possibilities. How do my three birds deal with Ma in their portraits?

Ekster by Paula Kuitenbrouwer

For my portrait of Magpie, Korea’s national bird, I added orange colour to compensate for a magpie’s black and white plumage. To stay close to her Korean habitat, I decided to position Magpie on a colourful and fruit-bearing persimmon branch, heavily laden with pumpkin-shaped kaki. Magpie is content with her portrait, and so am I.

Crow Kraai by Paula Kuitenbrouwer

Setting up a composition for a portrait of Carrion Crow was a little harder. Negotiations with this proud and cheeky bird were tough. I talked him into sitting on a mountain ash branch, but initially he didn’t agree with my decision of pushing him a little to the rear.

‘You are an indigo blue-ivory black bird’, I explained by pointing out that humans don’t like black things. I explained that I could trick humans in loving his plumage by adding the rich palette of colours of an autumn Mountain Ash.

‘This branch has fresh green, bright orange and deep red, and will charm viewers in loving your monotonous black feathers. And if I use a diagonal composition, I can guide the viewer along the branch, climbing up from deep red, through the bright orange to sap green. After such a colourful journey, people don’t mind a bit of solid black. But to do that, I told Carrion Crow, I have to push you a little to one side, but that is okay. Reluctantly, Carrion Crow agreed.

Sparrowhawk by Paula Kuitenbrouwer

My Sparrowhawk demanded to sit high and mighty on the top branch of a proud pine tree. The world of humans doesn’t interest him. He soars above it, looking down on our wars over oil, mass migration and our overheated, overpopulated world.

Sparrowhawk knows he has this intricately textured and awesome coat of feathers, which makes fashion designers drool. Not much is needed next to such an eye-catching bird; two almost evenly-coloured pine cones complete the portrait. Sparrowhawk sat down just long enough for me to make a portrait, and, without so much as a ‘thank-you’, flew off to his own world, soaring high above ours.

Back to Ma.. In all three bird portraits you’ll notice considerable emptiness. My birds seem to look into this emptiness. What do they see? A suitable partner? Prey? Are they guarding their hidden nests? Are they exploring new horizons?

Ma is for you to fill in with your imagination, with your story-telling, your ornithological knowledge or poetry. But Ma can also be left open. We don’t need to fill in empty spaces with projections, trauma, words or sounds. Ma offers a thinking pause or escape from our train of thoughts.

Magpie, Carrion Crow and Sparrowhawk understand Ma naturally. We are enchanted when we see a bird resting on a tree branch and we long to be like them: resting in Ma, accepting the here and now.

Paula

Save

Save

Lotus Plant Drawings: Botanical and Symbolic

I have drawn two different lotus plants. Much venerated in Buddhism, the lotus is one of the ‘Eight Auspicious Symbols’.

For my first drawing, ‘Lotus Plant’, I researched and focused on all the interconnecting parts of the plant. Most drawings and paintings of the lotus concentrate on the flower itself; the next part, the stem, is submerged and thus often merely hinted at. And the roots, although many of us will be familiar with them as edible parts of the plant, are rarely depicted in art, since they grow deep in the muddy bed of the pond.

For a Buddhist, this concept of living in three mediums – mud, water, air – signifies a progression. The soul journeys from the muddiness of materialism, through the water-world in which we live and experience our daily, day-to-day lives, and thence beyond, to enlightenment in the ethereal world of light and air. That these parts are all connected, roots to stem, stem to flower, is reflected in my drawing.

My ‘Lotus Pond with Tortoise’ shows the flowering plant, partly in water, and blooming just at the surface. A tortoise, resting on a rock, looks up at the lotus. Such a bright and beautiful flower is an inspiration to all who see it, tortoise as much as human.

In Asian culture, tortoises are sacred. The longevity and tenacity that they symbolize seemed to me to be a wonderful way to celebrate what the birthday of the Buddha means. We need to live long and work hard to reach enlightenment. And if the ageing process is enlightenment in slow motion, as John C. Robinson describes in his book ‘The Three Secrets of Ageing’, then my combining of the symbols of enlightenment with those of longevity expresses this process.

Paula Kuitenbrouwer

Available at Etsy.