What better than receiving a request to draw a floral triptych of lush spring flowers during the Corona lockdown? After the monochromatic under layer, working on these large Arches sheets (41- 61 cm), adding many layers of colour, felt like wandering through a lush garden.
The contrary was true. We were home most of the time, our city turning into a ghost town with museums and botanical gardens keeping their doors locked. Going to the supermarket and making a daily walk through greener parts of our area was all we did. I bought new green plants and planted some extra flowers on our balcony. But my real garden was on my drawing station and it was full irises, tulips, and daffodils. Before giving the sheets a protective spray, I added bugs and bees.
Packing up an commission always makes me nervous. But it worked by using an XL artist tube and three protective folios. By the time I brought the artist tube to the post office, our lockdown was almost over. Only our botanical gardens keep their gates closed till the 1st of July. Although I long to visit them, I understand that they can do very well without us, humans. They might even have had a jolly good time!
To deepen my understanding of female prehistoric figurines, I have set out to draw a few of them.
Clockwise starting with the middle-lower sitting woman, you find Courbet Venus, carved in a seated position, about 14.900 years old. Followed by the Venus of Polichinelle, carved in green steatite, 27.000 years old, found at Grimaldi. The strictly stylised engraved Lalinde Venus (there are more than one) found in Gönnersdorf in Germany, in Abri Murat and Gare de Couze in France, Pekárna in the Czech Republic, and Wilczyce in Poland. Stone Age. Further clockwise; Venus figures from Wilczyce, followed by another Gönnersdorf figurine. Then, Petersfels Venus that is made of jet, circa 15. 000 BP- 2.000 BP. Another Gönnersdorf engraving and last, Venus from Nebra, 15.000 years old, animal bone.
It makes you wonder, doesn’t it? You can’t possible blame prehistoric peoples for a lack of body diversity. But why the concentration on bellies and buttons, and why are heads and feet missing? Most look either emaciated, nursing or pregnant. Are some suffering from chronic diseases? Did it matter how a female looked like, or was the first piece of bone or stone vaguely resembling and therefore symbolizing a (perhaps departed) woman okay for whatever ritual? Some look crudely abstract, others are enchantingly elegant, as if they are the first sketched outlines of ballerinas in action.
I have chosen an ochre background as this pigment was hugely important to prehistoric peoples.