Hercules Statute Utrecht Netherlands

In my hometown of Utrecht, on two Rococo houses alongside the ‘Nieuwe Gracht’, stands Hercules holding the sky onto his shoulders. The ancient story goes that Hercules has taken up the firmament for Atlas allowing the old Titan a brief moment of respite to take up one of his labours.

I had to correct Hercules’ legs because all reference photos are taken from street level, and Hercules stands on top of a four story house, and it therefore the statute showed too short legs. I’ve elongated Hercules’ legs to create a level frontal view.

Hercules looks strong, but he is a demigod and demigods can do things we mortals can’t. Yet, the maker of this statute, the Dutch sculptor Ton Mooy, has given Hercules a tormented expression.

I kept wondering why I like this Hercules. When I was about to draw his hair and face, I remembered. I had seen this kind of hair and facial expression before. Hercules has the same hair as Vercingetorix (see photo) and a similar tormented expression as the statute of the Dying Gaul (see photo), an Ancient Roman Hellenistic sculpture. There is beauty in showing that extraordinary strength and bravery often comes with a price.

 

Paula Kuitenbrouwer

At Etsy

At Instagram

At Kunstinzicht.nl

Ma, a Japanese aesthetic principle, in my three bird drawings

I’d like to show three paintings in which I have incorporated Ma, a Japanese aesthetic principle. Ma is described as ‘an interval in time and/or space’, thus referring to empty spaces, vagueness or abstraction. Empty spaces, in which nothing seems to happen, are full of possibilities. How do my three birds deal with Ma in their portraits?

Ekster by Paula Kuitenbrouwer

For my portrait of Magpie, Korea’s national bird, I added orange colour to compensate for a magpie’s black and white plumage. To stay close to her Korean habitat, I decided to position Magpie on a colourful and fruit-bearing persimmon branch, heavily laden with pumpkin-shaped kaki. Magpie is content with her portrait, and so am I.

Crow Kraai by Paula Kuitenbrouwer

Setting up a composition for a portrait of Carrion Crow was a little harder. Negotiations with this proud and cheeky bird were tough. I talked him into sitting on a mountain ash branch, but initially he didn’t agree with my decision of pushing him a little to the rear.

‘You are an indigo blue-ivory black bird’, I explained by pointing out that humans don’t like black things. I explained that I could trick humans in loving his plumage by adding the rich palette of colours of an autumn Mountain Ash.

‘This branch has fresh green, bright orange and deep red, and will charm viewers in loving your monotonous black feathers. And if I use a diagonal composition, I can guide the viewer along the branch, climbing up from deep red, through the bright orange to sap green. After such a colourful journey, people don’t mind a bit of solid black. But to do that, I told Carrion Crow, I have to push you a little to one side, but that is okay. Reluctantly, Carrion Crow agreed.

Sparrowhawk by Paula Kuitenbrouwer

My sparrow-hawk demanded to sit high and mighty on the top branch of a proud pine tree. The world of humans doesn’t interest him. He soars above it, looking down on our wars over oil, mass migration and our overheated, overpopulated world.

Sparrow-hawk knows he has this intricately textured and awesome coat of feathers, which makes fashion designers drool. Not much is needed next to such an eye-catching bird; two almost evenly-coloured pine cones complete the portrait. Sparrowhawk sat down just long enough for me to make a portrait, and, without so much as a ‘thank-you’, flew off to his own world, soaring high above ours.

Back to Ma.. In all three bird portraits you’ll notice considerable emptiness. My birds seem to look into this emptiness. What do they see? A suitable partner? Prey? Are they guarding their hidden nests? Are they exploring new horizons?

Ma is for you to fill in with your imagination, with your story-telling, your ornithological knowledge or poetry. But Ma can also be left open. We don’t need to fill in empty spaces with projections, trauma, words or sounds. Ma offers a thinking pause or escape from our train of thoughts.

Magpie, Carrion Crow and Sparrow-hawk understand Ma naturally. We are enchanted when we see a bird resting on a tree branch and we long to be like them: resting in Ma, accepting the here and now.

Paula Kuitenbrouwer

@mindfuldrawing on Instagram

at Etsy.

Magpie Drawing 

Crow Drawing is sold.

Sparrow-hawk Drawing

Commissions for other themed Ma drawings are open.

I invite you to have a look at my portfolio on Etsy and Instagram. You might like to watch the videos of me drawing in Etsy and Instagram too.

Save

Save

Koi Carp, Koikarppi, Cyprinus carpio, Koi fiŝo, Niŝikigoi, 비단잉어, Carpa koi

Koi met Vis Vaas

 

Koi carp, or more specifically nishikigoi are a group of fish that are ornamental varieties of domesticated common carp that are kept for decorative purposes in outdoor koi ponds or water gardens. Koi carps are mesmerizing. People are willing to pay big money for a pretty carp fish. An ‘Agasi’, the blue koi,  is particularly pretty. I think I know why.

Some time ago I sat next to a large pond that was filled with koi with beautiful colours and patterns. I looked at them and looked at them. I sat and sat and got mesmerized. I asked myself why I was I so intensely enjoying sitting next to this pond and looking at the slow and gently moving  fish? I just didn’t want to go home, I couldn’t get enough of it. Suddenly I understood. The pond with koi had become my thinking. Each koi represented one thought, a thought that lighted up against the dark, deep pond. Thought swam in and out of my mind and koi carp swam in and out of my vision. The more the fish got used to me and I to them, the slower they appeared and disappeared. Simultaneously, my thinking process became a flow; it slowed down and became less demanding. I became aware of my thoughts coming and going, like the koi. Sitting by the pond and looking at the colourful, smooth swimming fish became a spontaneous meditation. Has this meditation helped me to understand the obsession with koi and the willingness to spend a monthly salary on a beautiful Agasi? Yes, I do understand now, but that doesn’t mean I became obsessed because that is a choice. However, I decided to draw a koi-series to capture the meditation experience in coloured pencil drawings. Every time I look at my drawing I want to feel that meditation again. And I hope others feel it too while looking at my drawing. This happened years ago and I’m still drawing ponds with koi. I still must be mesmerized.

Paula Kuitenbrouwer