Mandarin Duck Cards & Studio Candy

img_4848I lived some months near a duck pond in Ireland and that increased my appreciation for these capable birds. Yes, capable. We tend to think ducks are hilarious and silly, like geese, but ducks are threefold capable; they can fly long distances, dive deep, and can spend days on water. Mandarin ducks are perhaps the most loved ducks because they symbolize friendship, loyalty, and love. You send a Mandarin Duck card to somebody to invite or celebrate a long-lasting friendship, loyalty or love. Mandarin duck drawings and prints are my best selling items of my Etsy shop. It is a nice to make art that celebrates love and friendship.

Paula Kuitenbrouwer

Artist, Author & Expat

‘Birds, Butterflies, Fish & Botany’

P.S. The cards come with a full coloured inlay, a seal sticker, and on its backside a decent sticker that says my name and website.

P.S. I promised eye-candy? Here is a corner of my studio. It was easy to set up. Not so easy is setting up a studio exhibition of my drawings as there are too many and I prefer to keep them safely stored in my portfolio case. So, if you like to see my work, pop over to my Etsy shop or browse through my website. I remember deleting a fast amount of my work after discovering copies on other sites, still this website shows that I love to capture Nature’s beauty, mainly birds, butterflies, koi fish & botany.

 

For the sole purpose to inspire you…

For the sole purpose of inspiring you, I like to show you what dropped in my mail box from Japan; two lovely packages with beautiful Sashiko threads. I chose these colours for representing Earth and Ocean. The earth being dressed up in autumn colours and the ocean with different hues of blue and green.

You can travel the world by car or plane but you can also travel through the world of crafts. I wrote in a former blogpost that I can’t exactly remember how I ventured into the world of Sashiko. But by dwelling in the world of Sashiko, I noticed how beautiful some Japanese hand-dyed threads are. I come across a lot of thread that I can’t order because I can’t read Japanese. However, these threads I found at the Japanese Amazon and they will soon assist me in creating a Sashiko display that is both experimental and (hopefully) decorative. Before you think, ‘Paula has traded her pen and pencils for needles’. No. Certainly not. Please, return soon for more creative updates and inspiration.

Love from Paula

P.S. Being back in the Netherlands, I designed a new, bilingual name card. I also re-activated my Etsy shop. It needs some tweaks but it shows that I am back again after a long Irish sabbatical. Visitekaartjes.jpg

 

 

Feng Shui Hoop Display

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Five Elements Creatively Approached

Last year, I drew all Feng Shui’s elements. To help you remembering my drawings, I add a small compilation of my work.

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Paula’s Feng Shui’s interpretations, showing its Water, Wood, Metal, Fire & Earth element. Copyrighted.

My 5 large, circular, artistic compositions that are now decorating one wall of our living room. I wrote a booklet about this creative process named ‘Feng Shui, A Creative Approach‘. After I had framed my Five Elements, I felt that this project was too inspiring to bring to a close. With our rooms already carefully evaluated on a harmonious representing of the Five Elements, I still wasn’t ready to leave this subject behind me. I printed small prints of my drawings and gave them to various friends. Sybille, a long and very creative art-friend delighted me with framing these mini-prints. (Click here to see her display of the mini-prints). For myself I printed my drawings on fabric, using Spoonflower. I framed the fabric prints with hoops. Somehow, they were begging for more creativity. I gave in eagerly, of course, and looked for nice embellishments to add to the hoop. Thus, I created an engaging hoop-sized display of Water, Fire, Wood, Earth & Metal.

feng shui elements (All)
Feng Shui 5 Elements, Creatively Approached by Paula Kuitenbrouwer at http://www.mindfuldrawing.com. Copyright Paula Kuitenbrouwer 2018.

For Feng Shui’s Wood- element, I added a wooden button and a small wooden stick. I added a metal coin, a beautiful one to the fabric showing my Metal-element interpretation. This coin was in 2017 design for the Isle of Man £1 coin features two birds – a Falcon and a Raven. These birds are symbolically associated with the Island and feature on the Coat of Arms.

Adding an embellishment for Feng Shui’s Fire-element offered a challenge. Yes, of course, I could set my hoop alight but that would result in a very short-lived representation! It took me some time to find a solution. Ashes, perhaps? No, ashes are represented by Earth’s element. Artificial flames? No thanks, too kitsch. In the end, I opted for adding Red Dragon Beads, Dragons breathing fire and these beads showing interesting carvings. I attached them to a loose string, causing some movement. After all, fire is in constant motion, unless water that be still. Equally, I faced difficulties with adding a truthful water-element as an embellishment. After all, I can’t have a soaked and dripping piece of artwork hanging on my wall, but the dripping inspired me. Thus, I added watery looking, droplets decoratively to the hoop. Earth…what to do with Earth? Rubbing in my artwork in with dirty soil? No, of course. It seems better to add Feng Shui’s jewellery for the Earth element with terra-cotta coloured gemstones. All in all, this project resulted into an interesting and engaging display of Feng Shui’s element, artistically approached.

Have you ever wrapped your creative mind around Feng shui’s elements? As I hold a MA degree in Philosophy, I am interested to dive deeper into creatively expressing elements. Feng Shui covers 5 elements, but ancient philosophers wrote about more elements: Air and Aether. Air & Aether certainly pose a near impossible artistic challenge! I will keep you posted.

Paula Kuitenbrouwer

Artist, Author & Expat

‘Birds, Butterflies, Fish & Botany’

Ma, a Japanese aesthetic principle, in my three bird drawings

I’d like to show three paintings in which I have incorporated Ma, a Japanese aesthetic principle. Ma is described as ‘an interval in time and/or space’, thus referring to empty spaces, vagueness or abstraction. Empty spaces, in which nothing seems to happen, are full of possibilities. How do my three birds deal with Ma in their portraits?

Ekster by Paula Kuitenbrouwer

For my portrait of Magpie, Korea’s national bird, I added orange colour to compensate for a magpie’s black and white plumage. To stay close to her Korean habitat, I decided to position Magpie on a colourful and fruit-bearing persimmon branch, heavily laden with pumpkin-shaped kaki. Magpie is content with her portrait, and so am I.

Crow Kraai by Paula Kuitenbrouwer

Setting up a composition for a portrait of Carrion Crow was a little harder. Negotiations with this proud and cheeky bird were tough. I talked him into sitting on a mountain ash branch, but initially he didn’t agree with my decision of pushing him a little to the rear.

‘You are an indigo blue-ivory black bird’, I explained by pointing out that humans don’t like black things. I explained that I could trick humans in loving his plumage by adding the rich palette of colours of an autumn Mountain Ash.

‘This branch has fresh green, bright orange and deep red, and will charm viewers in loving your monotonous black feathers. And if I use a diagonal composition, I can guide the viewer along the branch, climbing up from deep red, through the bright orange to sap green. After such a colourful journey, people don’t mind a bit of solid black. But to do that, I told Carrion Crow, I have to push you a little to one side, but that is okay. Reluctantly, Carrion Crow agreed.

Sparrowhawk by Paula Kuitenbrouwer

My Sparrowhawk demanded to sit high and mighty on the top branch of a proud pine tree. The world of humans doesn’t interest him. He soars above it, looking down on our wars over oil, mass migration and our overheated, overpopulated world.

Sparrowhawk knows he has this intricately textured and awesome coat of feathers, which makes fashion designers drool. Not much is needed next to such an eye-catching bird; two almost evenly-coloured pine cones complete the portrait. Sparrowhawk sat down just long enough for me to make a portrait, and, without so much as a ‘thank-you’, flew off to his own world, soaring high above ours.

Back to Ma.. In all three bird portraits you’ll notice considerable emptiness. My birds seem to look into this emptiness. What do they see? A suitable partner? Prey? Are they guarding their hidden nests? Are they exploring new horizons?

Ma is for you to fill in with your imagination, with your story-telling, your ornithological knowledge or poetry. But Ma can also be left open. We don’t need to fill in empty spaces with projections, trauma, words or sounds. Ma offers a thinking pause or escape from our train of thoughts.

Magpie, Carrion Crow and Sparrowhawk understand Ma naturally. We are enchanted when we see a bird resting on a tree branch and we long to be like them: resting in Ma, accepting the here and now.

Paula

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Lotus Plant Drawings: Botanical and Symbolic

Two Lotus Prints

Lotus Plant’ & ‘Lotus Pond with Tortoise’

by Paula Kuitenbrouwer

In preparation for the upcoming birthday of the Buddha, I have drawn two different views of a lotus plant. Much venerated in Buddhism, the lotus is one of the ‘Eight Auspicious Symbols’. It is also a delight to draw, as the textured leaves and petals of the plant encourage the kind of finely-detailed observation and drawing work that give richness and texture to an image.

For my first drawing, ‘Lotus Plant’, I researched and focused on all the interconnecting parts of the plant. Most drawings and paintings of the lotus concentrate on the flower itself; the next part, the stem, is submerged and thus often merely hinted at. And the roots, although many of us will be familiar with them as edible parts of the plant, are rarely depicted in art, since they grow deep in the muddy bed of the pond.

For a Buddhist, this concept of living in three mediums – mud, water, air – signifies a progression. The soul journeys from the muddiness of materialism, through the water-world in which we live and experience our daily, day-to-day lives, and thence beyond, to enlightenment in the ethereal world of light and air. That these parts are all connected, roots to stem, stem to flower, is reflected in my drawing.

My ‘Lotus Pond with Tortoise’ shows the flowering plant, partly in water, and blooming just at the surface. A tortoise, resting on a rock, looks up at the lotus. Such a bright and beautiful flower is an inspiration to all who see it, tortoise as much as human.

In Asian culture, tortoises are sacred. The longevity and tenacity that they symbolize seemed to me to be a wonderful way to celebrate what the birthday of the Buddha means. We need to live long and work hard to reach enlightenment. And if the ageing process is enlightenment in slow motion, as John C. Robinson describes in his book ‘The Three Secrets of Ageing’, then my combining of the symbols of enlightenment with those of longevity expresses this process.

Paula Kuitenbrouwer

 

Koi Carp, Koikarppi, Cyprinus carpio, Koi fiŝo, Niŝikigoi, 비단잉어, Carpa koi

Koi met Vis Vaas

 

Koi carp, or more specifically nishikigoi are a group of fish that are ornamental varieties of domesticated common carp that are kept for decorative purposes in outdoor koi ponds or water gardens. Koi carps are mesmerizing. People are willing to pay big money for a pretty carp fish. An ‘Agasi’, the blue koi,  is particularly pretty. I think I know why.

Some time ago I sat next to a large pond that was filled with koi with beautiful colours and patterns. I looked at them and looked at them. I sat and sat and got mesmerized. I asked myself why I was I so intensely enjoying sitting next to this pond and looking at the slow and gently moving  fish? I just didn’t want to go home, I couldn’t get enough of it.
Suddenly I understood. The pond with koi had become my thinking. Each koi represented one thought, a thought that lighted up against the dark, deep pond. Thought swam in and out of my mind and koi carp swam in and out of my vision. The more the fish got used to me and I to them, the slower they appeared and disappeared. Simultaneously, my thinking process became a flow; it slowed down and became less demanding. I became aware of my thoughts coming and going, like the koi. Sitting by the pond and looking at the colourful, smooth swimming fish became a spontaneous meditation.
Has this meditation helped me to understand the obsession with koi and the willingness to spend a monthly salary on a beautiful Agasi? Yes, I do understand now, but that doesn’t mean I became obsessed because that is a choice. However, I decided to draw a koi-series to capture the meditation experience in coloured pencil drawings. Every time I look at my drawing I want to feel that meditation again. And I hope others feel it too while looking at my drawing.
This happened years ago and I’m still drawing ponds with koi. I still must be mesmerized.

Paula