Studio Pictures: MindfulDrawing.com

 

Paula’s prints are at Etsy.

Here is Jamie’s Poetry website, a website full resources.

Saunter through Patricia’s colourful garden here!

Marts, For Much Deliberation is one Trinidadian geographer’s attempt to compile as much geographical information as possible from existing internet resources. Very interesting!

Sybille’s, my Italian art friends, most colourful website is here.

Lilliya’s beautiful Etsy shop is here. You should see how she combines wood with silver. Elvish, magical, very skillful and beautiful.

Linda is a great and unstoppable illustrator and story-teller. Enjoy her weekly blogposts here.

Stay happy & healthy,

Paula

 

 

Shamanistic and Lascaux Cave Themed Art Study

Shamanistic Art by Paula Kuitenbrouwer at www.mindfuldrawing.com

Detail of Lion-man

Shamanistic Art by Paula Kuitenbrouwer at www.mindfuldrawing.com

Detail of Venus of Willendorf,

Shamanistic Art by Paula Kuitenbrouwer at www.mindfuldrawing.com

 Prehistoric Lascaux Shaman Art Study by Paula Kuitenbrouwer

As far as we know now, the oldest ‘religion’ is shamanism and the oldest art is prehistoric cave art, as to be found, for instance, in the French cave of Lascaux and the cave of Hohlenstein Stadel, Germany.

I’ve drawn a shamanistic or prehistoric art theme study. My drawing shows Venus of Willendorf and Lion-man of Hohlenstein Stadel at its centre.

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The Venus of Willendorf, a.k.a. the Woman of Willendorf, 28,000 – 25,000 B.C.E, which is an 11.1-centimetre high statuette of a female figure estimated to have been made between about 28,000 and 25,000 BCE. I adore this hand-size small statuette and in order to understand it deeper, I’ve drawn Venus front, back and side-ways. I’ve discovered such fine details and by drawing this small statuette, my appreciation for it has grown and grown. I’m sure you have seen it before, but have you noticed Venus’s skinny arms, and her small fingers resting on her (pregnant) breasts? Did you notice that she has three scars on her left arm and that, maybe as a result of these scars, her fingers of her left hand are badly shaped?

‘Why has she no face?’, I kept asking myself. It isn’t because the carver couldn’t handle details, look at her skilful and detailed hair-do! Maybe her face isn’t featured because what she represents is bigger than her individuality. ‘Why are her arms so disproportional skinny?’ And related to this, ‘why is she missing her feet?’ (Scientist don’t believe they got lost). Venus has arms, hands and fingers, but why did Venus’s creator chose to give her emaciated arms? What is the narrative of this decision? Should we see Venus’s skinny arms and missing feet in relation to her missing facial features and conclude that Venus is not a person, but as a goddess, a fertility symbol? But is she pregnant as so many assume? She looks like having a high BMI; did prehistoric pregnant women have a high BMI? I can only picture prehistoric people as rather slender, and pregnant women slender with a bigger belly. Although a mammoth is a big meal, there weren’t prehistoric supermarkets full ready-to-eat meals.

Catherine McCoid and LeRoy McDermott have hypothesised that the figurines may have been created as self-portraits by women, that is a self portrait carved by looking down on your own body, having no mirror at hand to correct that top-down perspective. The woman looks down and sees her bodily features but her feet are overshadowed by her big belly. But if a woman looks down on her (pregnant or big) belly, she indeed doesn’t see her feet, but she doesn’t see her vulva either and the Venus of Willendorf has a vulva and legs. Although McCoid and LePoys self-portrait theory is very interesting, it is a 21st century theory that has an individual (observation) at its heart. For me the missing face and feet and the skinny arms are references that stretch further than a wish to make a 3d self portrait.

lionman

The Hohlenstein Stadel lion-man dates back 40.000 years. ‘Man’ stands here for human, because the gender of this statuette, is uncertain. This statuette is 11 cm height, 3 times taller than Venus. Lion-man is half man- half animal. Lion-man is sculptured from woolly mammoth ivory and probably one of the oldest known zoomorphic (animal-shaped) sculpture in the world. Remarkable are the seven parallel, transverse, carved gouges are on the left arm. If I’ve correctly observed, Venus of Willendorf has 3 markings/scars on her left arm. ‘Why?’ I ask myself, while I study these statuettes by drawing them. Did prehistoric people vaccinate themselves by setting scratches is upper-arms? That is a very 21st hypothesis, but do not underestimate how clever prehistoric people were. Although there is no proof that prehistoric cave people performed brain surgery as the ancient Inca surgeons (AD 1000) did, by successfully removed small portions of patients’ skulls to treat head injuries, prehistoric cave people might have had their smart ways with administering herbs and drugs for medical reasons. But maybe it had nothing to do with health but with hierarchy. After all, we still use army stripes to communicate military hierarchy.

For me, sitting quietly in my studio, reading, drawing and studying brings me close to the objects that I draw or paint. This process of mindfully observing, quieting the mind and focussing on the object is bridging the gap between the object and me.  Firstly, I appreciate the features and carves that shape Venus and Lion-man, but then I try to steer away from art appreciation. I try to feel what the creators of Venus and Lion-man had in mind. I try to see how many hours they have worked on these statuettes. Did they use models? Where were they when they made these statuettes? And finally, I arrive at deeper questions, why these carves on their arms? Why don’t they have human faces? Are these statuettes ‘l’art pour l’art’, for the sake of art exclusively, or are these statuettes used in shamanistic rituals?

As a vegan and pet owner, I love reading about research that rebukes differences between animals and humans. There is hardly a week passing without scientific evidence emerging on how clever animals are and how humanly they behave. By now we know bees do maths and pigs are extremely sensitive so smart that they can do maths too when they are rewarded with snacks (like …right, children). Regarding hybrid statuettes, I so wonder whether there is a why, when or who to the difference between choosing prehistoric hydride statutes having a human body with an animal (like Lion-man) and, for instance sphinxes, having an animal body with a human head.

In the background of my study of Venus of Willendorf and Lion-man of Hohlenstein Stadel, I’ve drawn the stick topped by a bird of the shamanistic scene of Lascaux ‘Prostrate man with Bison’, hand prints as found in many prehistoric caves, ‘Engraved deer’ and ‘Large black cow’, also both Lascaux paintings.

For many prehistoric art is the start-point of art, based on the assumption that we have gained much since 40.000 BCE. Having studied many hours of art history, I fully appreciate and understand the assumption of linear progression. Yet, when I study prehistoric art, the question that nags me persistently and makes me lose track of time, that makes me hungry for more and more hours of studying is; ‘What have we lost since 40.000 BCE?’. Scientific research and shamanistic books make me think that we have lost a lot. I hope that by studying more, through reading and drawing, I will regain a bit more insight in why we are so stunned by prehistoric art and what we have lost.

Paula Kuitenbrouwer

At www.paulaartshop.com

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Two Female Eclectus Parrots, Eclectus roratus

Eclectus Parrot

Two Female Eclectus roratus, copyright Paula Kuitenbrouwer

In my former post (click here), I tell a story of two Welsh swans and their adopted goose. How talking to a Welsh RSPB officer informed my husband and I about the existence of  homosexual birds, a fact that was new to me. As a result of this knowledge, I came to think that my bird portfolio was 100% representing my life, with my husband, depicting birds as couples, sometimes with eggs or chicks. I had failed to include homosexual birds and I made that up by drawing two male Black Grouse.

Korhoen Black Grouse original & print

Two Black Grouse; original & framed print

Choosing two colourful male birds was easy, but finding colourful female birds turned our to be difficult because female birds tune down their colours in order to stay unnoticed while breading and rearing chicks. I thumbed through all my bird-guides but couldn’t find colourful female birds. Lucky, I have a niece, Jenna, soon to be a Veterinary Assistant and already working as a zookeeper. Jenna van der Vet needed only a few minutes to come up with: ‘Eclectus Parrot’. Well, if you don’t know which bird that is, as me, and you google ‘Eclectus roratus’ you get a very enjoyable and colourful result. See, the male Eclectus is green and the female is blue-red. What more to wish for? I’m very grateful to Jenna, for advising me on this exotic bird that wasn’t listed in my European bird guides.

For a long time ornithologist thought that the green males and blue-red females were different parrot species. It is unusual for a female bird to differ from her male counterparts and if they do differ, they aren’t wearing bold colours. The red-blue Eclectus parrot makes you wonder how the canopy she chooses to breed in, in the wild, looks like. How can her blue-red plumage protect her? She is stunningly pretty.

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Two females sit closely together, grooming each-other. To confirm their bond, I have given them golden rings. Gold, really? Yes, you can’t possible give a dull ring when they, themselves, are so outrageously dressed up in the finest colours of cobalt, ultramarine, indigo and light blue as well as scarlet, wine, crimson and rose red.

This prints makes an excellent gift for lesbian couples, congratulating them with their friendship, engagement or marriage.

Thank you Jenna! Keep going places.

Love,
Paula

Jenna’s Dutch Guinea Pig Breeding Centre

At Etsy

Two Female Eclectus Parrots at Etsy

 

Peony Time

Pioenroos print met pioenroos

A real Peony, a printed Peony and notice the one on the Korean flower vase.

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Peony and Tulip art prints of pencil drawings by Paula Kuitenbrouwer

Beach treasures

Beach treasures. Before you think Paula has painting pebbles, I didn’t. That awesome white stone with that intricate wine red pattern, that is dried seaweed. Nature is a great artist.

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On a desk with 3 art prints by Paula Kuitenbrouwer.

Dog Sketch

And my darling daughter drew this cute dog. I framed it straight away. My daughter’s shop is at Etsy too, click here to say hello by giving her perhaps a whole lot of hearts?

Love,

Paula

My Etsy & my Art Shop.

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Art Prints of Butterflies and Garden Birds

Click on the images to enlarge

I have uploaded most of my written art musings to LinkedIn Pulse. Although this blog has over 300 readers, LinkedIn Pulse has more. Many more. It is rewarding to see that my articles are read by people who aren’t subscribed to my blog and probably aren’t looking for art musings, but come across it and enjoy reading about art. You will find articles on the thoughts behind my drawings, on Raphael, on aesthetic principles or on compositions at LinkedIn Pulse. There is also art history, art appreciation and art musings. Here they are:  Paula’s Art Musings.

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The red glossy fridge magnet, leaning against the Korean box, is part of ‘Patron Art project’ by Irish artist Frank Corry. The Patron Project evolved from a series of works which use fragments of wrecked cars. Info on Frank Corry’s Patron Art Project is here.

Amazon Studio Licht

Studio Picture Amazon

Studio Pencils in Mugs

That is it for now.

Stay healthy, happy and creative!

Love,

Paula

at Etsy