Do you remember that I designed a Postage Stamp with two swans, a lotus flower, and a dragonfly? I used them on my correspondence. I added one on a postcard from Oxford to my father in the Netherlands. It received a Royal Mail cancellation mark, which feels like its design has been approved by Royal Mail standards. (I know, cancellation stamps are automated, but let us pretend it was done by a stereotype old man sitting at a wooden desk, carefully inspecting all letters one-by-one).
Recently, I found out that one can buy online postage stamps. It is very handy but such ‘post stamp’ appears to be a sudoku-like 9 square code that you pen down in the upper right corner of an envelope. Handy but disappointing, especially when you enjoy receiving a neatly handwritten envelope with an exotic postage stamp.
As so much digitalization is met with a return to pre-computer behaviour, like note booking, calligraphy, and snail-mail, I decided to return to using post stamps too. I bought a bag of old, hobby postage stamps that are used by Hobonichi journalling or notebook designing, and added them next to the postage codes. Somehow that didn’t do the job. And so, I set out to design a post stamp that shows a lovely nature scene, elegance, and spaciousness.