My Inspirational Cabinet

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I am setting up my studio. My inspirational cabinet shows some of the treasures that I found on the beach, woods, or meadows. On display are my precious deer skull, an ox horn (bought), a sheep horn from Manx (Isle of Man), an unknown horn, shells, Killiney beach stones, fossilized wood (gift), grey washed beach wood, and bits of old iron.

I found that rusty part of a vehicle on a farmer’s track in the Wicklow Mountains (🇮🇪) and decided to, very appropriately, use it as a frame for Raffaello Sanzio’s Putto holding Vulcan’s tools. Vulcan is also known as Hephaestus, the Greek god of blacksmiths.

Also on display is my ‘cave painting’ art print with the Venus of Willendorf and the Lionman. Did you know the Lionman (Löwenmensch) isn’t per-se male? The name Lionman is a word contraction of Lion & Human. I wrote an essay on prehistoric hand stencils, which you will be able to find here. ‘Dead’ treasures can still be beautiful and some clearly haven’t lost their quality to inspire. Without being Gothic, I think that much inspirational energy seems to be stored in nature treasures. Drawing inspiration from nature doesn’t always have to come from flowers or fluttery butterflies. Do you agree?

Paula Kuitenbrouwer

Artist, Author & Expat

‘Birds, Butterflies, Fish & Botany’ 

at Etsy

N.B. After having taken a long Sabbatical with my Etsy for studying at Oxford Department of Continuing Education, I yet have to update my shop. However, the good news is, my shop is online again. Should you like to purchase my booklet, art prints or original drawings, please contact me. By Christmas, I will have my shop neatly organized again.

I will keep you posted on a very pretty Mid-Winter, Yule, or Christmas drawing that I have in mind. I might turn it into a card too, like my Celtic Wild Boar card. You can watch the process of designing my Celtic Boar card here.

P.S. To my loyal online art friends, I am very sorry for having neglected your updates. I just moved the last box out of our apartment. My studio is coming along pretty well. You haven’t fallen from my radar. I am just still very busy with getting settled. I am longing very much for routine and returning to drawing and painting, and staying in touch with you all.

King Eider Duck (Somateria spectabilis) Drawing & Embroidery

Good-day to you! I am a King Eider and this is a coloured pencil drawing made by Paula Kuitenbrouwer. Paula is currently preparing an international move, thus her pencils are disappearing into big boxes. As she is rather creative and doesn’t like to put her creativity on hold, she is using my portrait and that of my beloved wife as an embroidery design.

Forgive me my vanity, but don’t I look handsome? And doesn’t my wife look adorable? Paula has done me great favour by expressing my black plumage in a contemporary style. Over the next few weeks, Paula will finish the feathers of my wife. In a way she is painting two portraits, one with coloured pencils and one with a needle and thread. While Paula is busy, we swim in Arctic waters and showing people how ‘King’ we are.

King Eider Drawing & Embroidery
King Eider Drawing & Embroidery: copyright Paula Kuitenbrouwer

Paula Kuitenbrouwer
Artist, Author & Expat
‘Birds, Butterflies, Fish & Botany’

Tufted Duck Couples in Different Colours

My Tufted Duck series is growing steadily. One more to go for having six.

imagesEvery duck shows different stitches.

A few months ago, I bought The Embroidery Stitch Bible by Betty Barnden. Leafing through it propelled me back to Junior School, art-class. I could see myself, as a young girl, working on a Needle Sampler. I still remember it! It was a pretty one with many different stitches, numbers, puppets, and floral designs.

 

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It is fun to get acquainted with different stitches again. I also feel that textile crafting is good for the brain and a fun thing to do. It keeps my hands busy and my mind creative. It does demand concentration but in a pleasant way.

 

Textile crafting certainly has the same effect as meditation.

After finishing an embroidery hoop, there is some tidying up and reorganizing to do. And after that, I like to study which different embroidery arts exits. I am very smitten with Japanese and Chinese ‘silk’ embroidery but also I am impressed by Crewel designs. Most likely, I will end up creating eclectic pieces, being so widely inspired.

Be creative & be happy,

Paula Kuitenbrouwer

Artist, Author & Expat

‘Birds, Butterflies, Fish & Botany.

Paula Kuitenbrouwer's Birds, Butterflies, Fish & Botany

Ma, a Japanese aesthetic principle, in my three bird drawings

I’d like to show three paintings in which I have incorporated Ma, a Japanese aesthetic principle. Ma is described as ‘an interval in time and/or space’, thus referring to empty spaces, vagueness or abstraction. Empty spaces, in which nothing seems to happen, are full of possibilities. How do my three birds deal with Ma in their portraits?

Ekster by Paula Kuitenbrouwer

For my portrait of Magpie, Korea’s national bird, I added orange colour to compensate for a magpie’s black and white plumage. To stay close to her Korean habitat, I decided to position Magpie on a colourful and fruit-bearing persimmon branch, heavily laden with pumpkin-shaped kaki. Magpie is content with her portrait, and so am I.

Crow Kraai by Paula Kuitenbrouwer

Setting up a composition for a portrait of Carrion Crow was a little harder. Negotiations with this proud and cheeky bird were tough. I talked him into sitting on a mountain ash branch, but initially he didn’t agree with my decision of pushing him a little to the rear.

‘You are an indigo blue-ivory black bird’, I explained by pointing out that humans don’t like black things. I explained that I could trick humans in loving his plumage by adding the rich palette of colours of an autumn Mountain Ash.

‘This branch has fresh green, bright orange and deep red, and will charm viewers in loving your monotonous black feathers. And if I use a diagonal composition, I can guide the viewer along the branch, climbing up from deep red, through the bright orange to sap green. After such a colourful journey, people don’t mind a bit of solid black. But to do that, I told Carrion Crow, I have to push you a little to one side, but that is okay. Reluctantly, Carrion Crow agreed.

Sparrowhawk by Paula Kuitenbrouwer

My Sparrowhawk demanded to sit high and mighty on the top branch of a proud pine tree. The world of humans doesn’t interest him. He soars above it, looking down on our wars over oil, mass migration and our overheated, overpopulated world.

Sparrowhawk knows he has this intricately textured and awesome coat of feathers, which makes fashion designers drool. Not much is needed next to such an eye-catching bird; two almost evenly-coloured pine cones complete the portrait. Sparrowhawk sat down just long enough for me to make a portrait, and, without so much as a ‘thank-you’, flew off to his own world, soaring high above ours.

Back to Ma.. In all three bird portraits you’ll notice considerable emptiness. My birds seem to look into this emptiness. What do they see? A suitable partner? Prey? Are they guarding their hidden nests? Are they exploring new horizons?

Ma is for you to fill in with your imagination, with your story-telling, your ornithological knowledge or poetry. But Ma can also be left open. We don’t need to fill in empty spaces with projections, trauma, words or sounds. Ma offers a thinking pause or escape from our train of thoughts.

Magpie, Carrion Crow and Sparrowhawk understand Ma naturally. We are enchanted when we see a bird resting on a tree branch and we long to be like them: resting in Ma, accepting the here and now.

Paula

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Lotus Plant Drawings: Botanical and Symbolic

Two Lotus Prints

‘Lotus Plant’ & ‘Lotus Pond with Tortoise’

by Paula Kuitenbrouwer

In preparation for the upcoming birthday of the Buddha, I have drawn two different views of a lotus plant. Much venerated in Buddhism, the lotus is one of the ‘Eight Auspicious Symbols’. It is also a delight to draw, as the textured leaves and petals of the plant encourage the kind of finely-detailed observation and drawing work that give richness and texture to an image.

For my first drawing, ‘Lotus Plant’, I researched and focused on all the interconnecting parts of the plant. Most drawings and paintings of the lotus concentrate on the flower itself; the next part, the stem, is submerged and thus often merely hinted at. And the roots, although many of us will be familiar with them as edible parts of the plant, are rarely depicted in art, since they grow deep in the muddy bed of the pond.

For a Buddhist, this concept of living in three mediums – mud, water, air – signifies a progression. The soul journeys from the muddiness of materialism, through the water-world in which we live and experience our daily, day-to-day lives, and thence beyond, to enlightenment in the ethereal world of light and air. That these parts are all connected, roots to stem, stem to flower, is reflected in my drawing.

My ‘Lotus Pond with Tortoise’ shows the flowering plant, partly in water, and blooming just at the surface. A tortoise, resting on a rock, looks up at the lotus. Such a bright and beautiful flower is an inspiration to all who see it, tortoise as much as human.

In Asian culture, tortoises are sacred. The longevity and tenacity that they symbolize seemed to me to be a wonderful way to celebrate what the birthday of the Buddha means. We need to live long and work hard to reach enlightenment. And if the ageing process is enlightenment in slow motion, as John C. Robinson describes in his book ‘The Three Secrets of Ageing’, then my combining of the symbols of enlightenment with those of longevity expresses this process.

Paula Kuitenbrouwer

Available at Etsy as prints and original drawings.