An Original Fibonacci Wave Mandarin Duck Drawing to Celebrate Love Wedding Friendship Engagement

Mandarin Ducks Bobbing on Hokusai’s Wave

STORY
Says the male outstanding colourful Mandarin drake to his lovely wife; ‘I love you profoundly; I will stay with you till the end of my days. I don’t know where I end and you begin’. Says the sweet female duck to her handsome drake; ‘Such is our lifelong bond; the high waves of life can’t drift us apart. Together we swim, spatter and stay close to each other to confirm our bond that will last a lifetime’.

OBSERVATION
Is there something more beautiful than seeing a closely bonded couple, in which the male and female are equal in rights, expression, and status. Their love doesn’t need dominance, it isn’t a power-game. They have moved beyond that, to a realm that we call love.

ARTIST STATEMENT
I have drawn, painted, and sold many Mandarin Duck couples and it brings me great pleasure that in parts of the world, where I do not live or travel, my mandarin duck drawings decorate walls of living, study or sleeping rooms. Mandarin Ducks symbolize love and loyalty, and friendship. This drawing has a luxurious, golden border. It needs a lovely square frame.

 

FENG SHUI
In Asia and in Feng Shui it is said that having Mandarin Ducks in your home (painting or picture) attracts love and loyalty. And why not? When people enter the room, they notice this picture of love and loyalty and that is subtly stored in their minds and hearts. They don’t see a drawing or print with one object, but with two birds that love each other. It sets the mindset or mood for a start of a deep friendship or love. Having a mandarin print in your home is suppose to attract love. Maybe it isn’t a myth at all. In traditional Asian culture, mandarin ducks are believed to be lifelong couples, unlike other species of ducks. Hence they are regarded as a symbol of love, affection and fidelity.

FIBONACCI SEQUENCE
I have drawn mandarin ducks in full colour and as albino and leucistic couples. I have drawn them against a minimalist white background, suggesting a pond, or suggesting reeds. And I was about to set out to add a new couple to my portfolio when I noticed the Fibonacci Sequence in one of my old sketches. It made my heart miss a beat because it brought a flood of inspiration. I immediately set out to make a circular composition, adding two ducks shaped as in the well-know Fibonacci fashion. And after having done that successfully, I couldn’t stop and added parts of The Great Wave off Kanagawa by the Japanese artist Hokusai next to the mandarin ducks. Now I had four Fibonacci elements, as I recognized the Fibonacci sequence in Hokusai’s wave too.

MANDARIN DUCKS
These mandarin duck couple, deeply in love with each other, are bathing in wild waters. In fact, they are so deeply bonded, they have no idea where they individually begin or end. They have become one in emotion and routine. They are one with the waters they live in too. The beautiful Hokusai wave, which could be interpreted as the pleasant and unpleasant high waves life throws at every couple, can’t separate them. They will stay together during their whole life; in high tide and low tide, in calm and difficult times, through day and night, till the end.

COPYRIGHT & ORDERING
This drawing/design is copyrighted. I offer this original drawing as a commission. This means that your drawing is hand-drawn, slightly different not in shape or style but perhaps a bit different in colour, as it will be a hand-drawn copy of the first drawing. Original drawings should be ordered via Etsy and will have a waiting list as I draw them mindfully.

YIN YANG SYMBOL
Please, notice the Mandarin ducks eyes holding a Yin-Yang symbol. I can do your drawing without this symbol hidden in their cute eyes.

At Etsy

Paula Kuitenbrouwer

@mindfuldrawing on Instagram

Inquiries:

For the sole purpose to inspire you…

For the sole purpose of inspiring you, I like to show you what dropped in my mail box from Japan; two lovely packages with beautiful Sashiko threads. I chose these colours for representing Earth and Ocean. The earth being dressed up in autumn colours and the ocean with different hues of blue and green.

You can travel the world by car or plane but you can also travel through the world of crafts. I wrote in a former blogpost that I can’t exactly remember how I ventured into the world of Sashiko. But by dwelling in the world of Sashiko, I noticed how beautiful some Japanese hand-dyed threads are. I come across a lot of thread that I can’t order because I can’t read Japanese. However, these threads I found at the Japanese Amazon and they will soon assist me in creating a Sashiko display that is both experimental and (hopefully) decorative. Before you think, ‘Paula has traded her pen and pencils for needles’. No. Certainly not. Please, return soon for more creative updates and inspiration.

Love from Paula

P.S. Being back in the Netherlands, I designed a new, bilingual name card. I also re-activated my Etsy shop. It needs some tweaks but it shows that I am back again after a long Irish sabbatical. Visitekaartjes.jpg

 

 

Feng Shui Hoop Display

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Five Elements Creatively Approached

Last year, I drew all Feng Shui’s elements. To help you remembering my drawings, I add a small compilation of my work.

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Paula’s Feng Shui’s interpretations, showing its Water, Wood, Metal, Fire & Earth element. Copyrighted.

My 5 large, circular, artistic compositions that are now decorating one wall of our living room. I wrote a booklet about this creative process named ‘Feng Shui, A Creative Approach‘. After I had framed my Five Elements, I felt that this project was too inspiring to bring to a close. With our rooms already carefully evaluated on a harmonious representing of the Five Elements, I still wasn’t ready to leave this subject behind me. I printed small prints of my drawings and gave them to various friends. Sybille, a long and very creative art-friend delighted me with framing these mini-prints. (Click here to see her display of the mini-prints). For myself I printed my drawings on fabric, using Spoonflower. I framed the fabric prints with hoops. Somehow, they were begging for more creativity. I gave in eagerly, of course, and looked for nice embellishments to add to the hoop. Thus, I created an engaging hoop-sized display of Water, Fire, Wood, Earth & Metal.

feng shui elements (All)
Feng Shui 5 Elements, Creatively Approached by Paula Kuitenbrouwer at http://www.mindfuldrawing.com. Copyright Paula Kuitenbrouwer 2018.

For Feng Shui’s Wood- element, I added a wooden button and a small wooden stick. I added a metal coin, a beautiful one to the fabric showing my Metal-element interpretation. This coin was in 2017 design for the Isle of Man £1 coin features two birds – a Falcon and a Raven. These birds are symbolically associated with the Island and feature on the Coat of Arms.

Adding an embellishment for Feng Shui’s Fire-element offered a challenge. Yes, of course, I could set my hoop alight but that would result in a very short-lived representation! It took me some time to find a solution. Ashes, perhaps? No, ashes are represented by Earth’s element. Artificial flames? No thanks, too kitsch. In the end, I opted for adding Red Dragon Beads, Dragons breathing fire and these beads showing interesting carvings. I attached them to a loose string, causing some movement. After all, fire is in constant motion, unless water that be still. Equally, I faced difficulties with adding a truthful water-element as an embellishment. After all, I can’t have a soaked and dripping piece of artwork hanging on my wall, but the dripping inspired me. Thus, I added watery looking, droplets decoratively to the hoop. Earth…what to do with Earth? Rubbing in my artwork in with dirty soil? No, of course. It seems better to add Feng Shui’s jewellery for the Earth element with terra-cotta coloured gemstones. All in all, this project resulted into an interesting and engaging display of Feng Shui’s element, artistically approached.

Have you ever wrapped your creative mind around Feng shui’s elements? As I hold a MA degree in Philosophy, I am interested to dive deeper into creatively expressing elements. Feng Shui covers 5 elements, but ancient philosophers wrote about more elements: Air and Aether. Air & Aether certainly pose a near impossible artistic challenge! I will keep you posted.

Paula Kuitenbrouwer

Artist, Author & Expat

‘Birds, Butterflies, Fish & Botany’

Ma, a Japanese aesthetic principle, in my three bird drawings

I’d like to show three paintings in which I have incorporated Ma, a Japanese aesthetic principle. Ma is described as ‘an interval in time and/or space’, thus referring to empty spaces, vagueness or abstraction. Empty spaces, in which nothing seems to happen, are full of possibilities. How do my three birds deal with Ma in their portraits?

Ekster by Paula Kuitenbrouwer

For my portrait of Magpie, Korea’s national bird, I added orange colour to compensate for a magpie’s black and white plumage. To stay close to her Korean habitat, I decided to position Magpie on a colourful and fruit-bearing persimmon branch, heavily laden with pumpkin-shaped kaki. Magpie is content with her portrait, and so am I.

Crow Kraai by Paula Kuitenbrouwer

Setting up a composition for a portrait of Carrion Crow was a little harder. Negotiations with this proud and cheeky bird were tough. I talked him into sitting on a mountain ash branch, but initially he didn’t agree with my decision of pushing him a little to the rear.

‘You are an indigo blue-ivory black bird’, I explained by pointing out that humans don’t like black things. I explained that I could trick humans in loving his plumage by adding the rich palette of colours of an autumn Mountain Ash.

‘This branch has fresh green, bright orange and deep red, and will charm viewers in loving your monotonous black feathers. And if I use a diagonal composition, I can guide the viewer along the branch, climbing up from deep red, through the bright orange to sap green. After such a colourful journey, people don’t mind a bit of solid black. But to do that, I told Carrion Crow, I have to push you a little to one side, but that is okay. Reluctantly, Carrion Crow agreed.

Sparrowhawk by Paula Kuitenbrouwer

My Sparrowhawk demanded to sit high and mighty on the top branch of a proud pine tree. The world of humans doesn’t interest him. He soars above it, looking down on our wars over oil, mass migration and our overheated, overpopulated world.

Sparrowhawk knows he has this intricately textured and awesome coat of feathers, which makes fashion designers drool. Not much is needed next to such an eye-catching bird; two almost evenly-coloured pine cones complete the portrait. Sparrowhawk sat down just long enough for me to make a portrait, and, without so much as a ‘thank-you’, flew off to his own world, soaring high above ours.

Back to Ma.. In all three bird portraits you’ll notice considerable emptiness. My birds seem to look into this emptiness. What do they see? A suitable partner? Prey? Are they guarding their hidden nests? Are they exploring new horizons?

Ma is for you to fill in with your imagination, with your story-telling, your ornithological knowledge or poetry. But Ma can also be left open. We don’t need to fill in empty spaces with projections, trauma, words or sounds. Ma offers a thinking pause or escape from our train of thoughts.

Magpie, Carrion Crow and Sparrowhawk understand Ma naturally. We are enchanted when we see a bird resting on a tree branch and we long to be like them: resting in Ma, accepting the here and now.

Paula

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Mindfulness in the 1600s

The Practice of The Presence of God by Brother Lawrence.

I’m reading about mindful meditation. Brother Lawrence, a monk in the 1600s, promised he would live day and night, in good and bad times, in God. He spent many years practising the presence of God in his life. His key to this practice was that he strove to be consciously aware of God’s presence at all times, which seems the true epitome of (Christian) mindfulness.
To me it means that with everything I do, I ask myself if I’m acting in the best consciousness and ethical conscientiousness. For me this means that I need to be aware and practise self-discipline, carefulness,  and thoroughness. It is very easy to wander away from awareness and thoroughness, like with any meditation. If this happens, I bring myself back into the presence of God. It is a wonderful meditation, but not an easy one. Having said that, the more you do this, the longer the stretches of time of being in God, or being mindful, do occur.

I started to read this tiny book months ago, and I do return to it often, because Brother Lawrence’s promise still inspires. To purposefully enjoy God’s presence, or mindfulness, in your life, is like opening up to small miracles. Pouring tea becomes a meditation and so does watering the flowers on the balcony. It is still a bit hard to feel the presence of God while paying bills (and all other worldly and bureaucratic chores ), but to stay mindful, to stay open for the presence of God non-stop is what it is about. And when I succeed, I feel a happy appreciation for the smallest things in life.

Titus van Rijn by Rembrandt

Rembrandt’s master work of his son, Titus van Rijn, in a monk’s habit
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Is this book only for Christians? Not at all. I recommend it to all people who are interested in the spiritual life. It is about mindfulness in the 1600s. Thich Nhat Hanh says, in one of his many books that I’ve read, that if you need the address of God, he will give it to you; it is Here and Now. Brother Lawrence would probably have said: God’s address is being in the presence of God.
Paula Kuitenbrouwer