Oude Boom Gedicht Kuitenbrouwer

Henry William Burgess ca. 17921839

In mijn tuin staat een oude boom,

Een beuk met een 400 jarig bestaan,

Haar duiven begluren de mensen loom,

Die onder haar lopen in hun kortlevende waan. 

Ik hou van deze boom en haar zachte geruis,

Haar bladeren glimmen in de regen,

En ik bekijk hoeveel dieren erin en eromheen wonen,

Hoe zij deze boom beleven.

Elke dag wanneer ik onder haar loop,

Word ik iets ouder, maar vergeleken haar blijf ik jong,

Eens loop ik onder haar met een stok,

De mens heeft een sneller levensverloop.

Ik hou van haar langzame trage leven,

Maar ook van mijn korte bestaan,

Ik wil onder haar geboren zijn geworden,

En later worden begraven tussen haar wortels,

En zo in haar opgaan.

Dan laat ik mijn lichaam tot stof wederkeren,

En zal mijn energie gestuwd worden naar haar top,

Dan ga ik zacht met haar mee-ruisen,

En zo mijn ziel laten verhuizen.

Mijn mooie en wijze boom zal mij hoe dan ook,

-Terwijl ik zo lang mogelijk onder haar loop- overleven,

En mijn jaloezie op haar lange leven wijselijk vergeven.


Paula Kuitenbrouwer

Paula’s tekeningen & schilderijen zijn te vinden op Etsy

Rachel Ruysch

I have studied Golden Age Dutch Floral Painters in the past and Rachel Ruysch (1664 – 1750) was one of my favourite painters. Not only did she paint extremely well, she had ten children. How can one paint so exquisitely and go through 10 pregnancies and raise so many children, is beyond me.

Her dated works establish that she painted from the age of 15 until she was 86, a few years before her death. She had household help, which she could afford because she was a well-paid artist (another remarkable fact) and painted, before her death at the age of 86, hundreds of paintings. But I wasn’t planning on writing about my role model, I wanted to point out that Dutch floral paintings are an illusion. We tend to overlook this because we can buy lush bouquets at our local supermarkets year-round and lack knowledge about when plants bloom and where they come from. We care little about seasonal vegetables and fruits; we also have not much knowledge about where our veggies and fruits come unless we study supermarket labels saying ‘Olives from Italy’ or ‘Persimmons from Israel’.

Sketches as reference photos

Golden Age floral painters studied flowers by making meticulous sketches and writing down which colours they needed. Upon designing a large floral bouquet, they returned to their notebooks and sketches. This way they were able to put together flowers that in nature do not bloom or flourish at the same time, or at the same place, and adding seasonal butterflies and insects, showing spring, summer and autumn in one painting. How easy it is now to consult a book or photo and put together flowers from all over the world, flowers that naturally never bloom simultaneously.

My tulip study inspired by Golden Age floral painters

The difference between the Golden Age and now is that vegetables, fruits and flowers that are flown in aren’t good for keeping a low carbon footprint. Golden Age painters created illusions and prosperous bouquets not with the help of cargo trucks, cool cells or air crafts, but with their own notes and sketches. Isn’t that wonderful? Imagine a studio with sketches. Imagine the deep focus that comes with using your sketches as a reference portfolio. Having no digital assistance did not prevent painters to paint the most wonderful, detailed and beautiful paintings.

Paula Kuitenbrouwer

At Etsy