Forest Scene: Mandarin Ducks Resting on a River Bank

The mandarin ducks (Aix galericulata) have carefully chosen a place to rest. They seems to blend in with the dark background, thus if necessary, they will respond quickly by taking to the waters and thus escape predators. The river is calm, the forest is rich in sounds and smells, and all is well. The reflection of the lovely couple is visible in the calm water. Birds are flying over. 

The duck and drake have just decided to take a rest and have already positioned themselves on the bank. The duck is checking the left, the drake checks the right, if all feels safe they will soon tuck their bills into their wings and take a nap. After that they will look for food again, synchronized as they are. They are life long partners, like swans. In Asia mandarin ducks represent love and loyalty. On the photos of this drawing, you will notice a few wooden ducks. They are used, in Asia, like drawings, prints and paintings, to enhance feelings of love and loyalty in homes and rooms between couples. Seeing bonding ducks, seeing how synchronised they are, makes people long for a deep belonging, a deep bond between lovers.

This is a softly rendered graphite drawing. On my Etsy home page and Instagram you can watch a video of the making of this drawing. I have done many Mandarin duck commissions for homes, weddings, engagements, stationary, or meditation/sleeping rooms. Contact me should you have specific wishes regarding a mandarin duck drawing. Also, have a look at my shop where you will find mandarin duck mini-prints, cards, and full colour drawings. May I advise to have a full colour drawing of mandarin ducks in a monochromatic coloured room and a softly rendered graphite drawing in a colourful room?

Artist information: Derwent graphite H-series pencils on Arches hot press paper 31-41 cm. Winsor & Newton Varnish Spray.

Ornithological information: Although Mandarin ducks are Asian ducks, Dutch park and estate owners buy these ducks to add some bright colours to their duck ponds or castle moats. Mandarin ducks then need nesting facilities because in nature they breed inside tree cavities. They seem to do well in Dutch weather. I am very lucky to have spotted them nearby my home town. One thinks that they stand out splendidly, but I can assure you that even the very colourful drake often seems to blend in its surroundings perfectly.

Paula Kuitenbrouwer

@mindfulfdrawing on Instagram (video  link)

Etsy (for video watching scroll down till ‘About Paula Kuitenbrouwer’

www.mindfuldrawing.com

mindfuldrawing@gmail.com

Auguste Rodin & Camille Claudel at Three Inches Challenge

Participating in a creative challenge is about exploring new drawing skills. A challenge needs to be a challenge, doesn’t it? I found Three Inches, at #mindfulartstudio of Amy Maricle, which is about working on 3 square inches. I decided to do a study of Auguste Rodin and Camille Claudel’s artwork. The insight that I gained confirms that I am not fascinated enough by human anatomy, despite hugely admiring Rodin and Claudel’s work. Nevertheless, I liked the challenge as a welcome break from my current obsession with antique drawings of beautiful classical buildings and romantic landscapes.

Thank you & till next posting,

Paula

Three Inches Challenge on Instagram at #incheschallenge2019.

at Etsy  (I have a summer sale at Etsy)

at Instagram

 

 

 

 

 

 

 

 

 

 

 

 

 

Prehistoric Women Figurines

To deepen my understanding of female prehistoric figurines, I have set out to draw a few of them. Clockwise starting with tge middle-lower sitting woman, you find Courbet Venus, carved in a seated position, about 14.900 years old. Followed by the Venus of Polichinelle, carved in green steatite, 27.000 years old, found at Grimaldi. The strictly stylised engraved Lalinde Venus (there are more than one) found in Gönnersdorf in Germany, in Abri Murat and Gare de Couze in France, Pekárna in the Czech Republic, and Wilczyce in Poland. Stone Age. Further clockwise; Venus figures from Wilczyce, followed by another Gönnersdorf figurine. Then, Petersfels Venus that is made of jet, circa 15. 000 BP- 2.000 BP. Another Gönnersdorf engraving and last, Venus from Nebra, 15.000 years old, animal bone.

It makes you wonder, doesn’t it? You can’t possible blame prehistoric peoples for a lack of body diversity. But why the concentration on bellies and buttons, and why are heads and feet missing? Most look either emaciated, nursing or pregnant. Are some suffering from chronic diseases? Did it matter how a female looked like, or was the first piece of bone or stone vaguely resembling and therefore symbolising a (perhaps departed) woman okay for whatever ritual? Some look crudely abstract, others are enchantingly elegant, as if they are the first sketched outlines of ballerinas in action. I have chosen an ochre background as this pigment was hugely important to prehistoric peoples.

Paula Kuitenbrouwer

at Etsy

At @mindfuldrawing on Instagram

Commissions welcome: contact me at mindfuldrawing@gmailc.om