Mandarin Ducks in an Asian Landscape

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York Minster Cathedral Drawing

This is a drawing that I made while staying in an apartment opposite of York Minster (Cathedral). I enjoyed studying all York Minster’s wonderful, elegant, and whimsical details with and without binoculars. I was especially charmed by some stonework that wasn’t symmetrical and I thus set out to capture it by standing in front of the window, drawing without a ruler. Later I used a ruler but only a little to keep the spontaneity of this elegant drawing. I apologise for the darker photos as I planned to place the drawing so that the façade of York Minster is visible … Continue reading York Minster Cathedral Drawing

Ode to All Oak Trees

Ode to all Oak Trees After my ‘Praising Plants’, a large graphite drawing that was sold rather quickly, I decided to continue with botanical theme-drawing and thus I designed ‘Ode to All Oak Trees’. This drawing has a large oak tree as it centre piece, decorated with William Morris botanical motifs and leaves freehand drawn as its border. In spring a single oak tree produces both male and female flowers (catkins). The acorns are its fruits. We use both the acorns and cupule for crafts while jays eat them and squirrels store them for the winter. Oak wood was often … Continue reading Ode to All Oak Trees

Cernunnos Inspired Stag in Ancient Worlds

The oldest (Celtic) god is Cernunnos, depicted with the antlers of a stag, seated cross-legged, associated with animals, and holding or wearing a torc (is a large rigid or stiff neck ring in metal, made either as a single piece or from strands twisted together). Not much is known about Cernunnos but interpretations identify him as a beneficent god of nature, life, or fertility. I find it interesting that Cernunnos is half man, half stag. We clearly like to relate ourselves to such a magnificent animal. It looks well built yet elegant, noble and humble, strong but vulnerable. I remember driving … Continue reading Cernunnos Inspired Stag in Ancient Worlds

Ma, a Japanese aesthetic principle, in my three bird drawings

I’d like to show three paintings in which I have incorporated Ma, a Japanese aesthetic principle. Ma is described as ‘an interval in time and/or space’, thus referring to empty spaces, vagueness or abstraction. Empty spaces, in which nothing seems to happen, are full of possibilities. How do my three birds deal with Ma in their portraits? For my portrait of Magpie, Korea’s national bird, I added orange colour to compensate for a magpie’s black and white plumage. To stay close to her Korean habitat, I decided to position Magpie on a colourful and fruit-bearing persimmon branch, heavily laden with … Continue reading Ma, a Japanese aesthetic principle, in my three bird drawings