Category Archives: Rachel Ruysch

Rachel Ruysch

I have studied Golden Age Dutch Floral Painters in the past and Rachel Ruysch (1664 – 1750) was one of my favourite painters. Not only did she paint extremely well, she had ten children. How can one paint so exquisitely and go through 10 pregnancies and raise so many children, is beyond me.

Rachel Ruysch was a Dutch still-life painter from the Northern Netherlands. She specialized in flowers, inventing her own style and achieving international fame in her lifetime

Her dated works establish that she painted from the age of 15 until she was 86, a few years before her death. She had household help, which she could afford because she was a well-paid artist (another remarkable fact) and painted, before her death at the age of 86, hundreds of paintings. But I wasn’t planning on writing about my role model, I wanted to point out that Dutch floral paintings are an illusion. We tend to overlook this because we can buy lush bouquets at our local supermarkets year-round and lack knowledge about when plants bloom and where they come from. We care little about seasonal vegetables and fruits; we also have not much knowledge about where our veggies and fruits come unless we study supermarket labels saying ‘Olives from Italy’ or ‘Persimmons from Israel’.

  • Rachel Ruysch

Sketches as reference photos

Golden Age floral painters studied flowers by making meticulous sketches and writing down which colours they needed. Upon designing a large floral bouquet, they returned to their notebooks and sketches. This way they were able to put together flowers that in nature do not bloom or flourish at the same time, or at the same place, and adding seasonal butterflies and insects, showing spring, summer and autumn in one painting. How easy it is now to consult a book or photo and put together flowers from all over the world, flowers that naturally never bloom simultaneously.

My tulip study inspired by Golden Age floral painters

The difference between the Golden Age and now is that vegetables, fruits and flowers that are flown in aren’t good for keeping a low carbon footprint. Golden Age painters created illusions and prosperous bouquets not with the help of cargo trucks, cool cells or air crafts, but with their own notes and sketches. Isn’t that wonderful? Imagine a studio with sketches. Imagine the deep focus that comes with using your sketches as a reference portfolio. Having no digital assistance did not prevent painters to paint the most wonderful, detailed and beautiful paintings.

Paula Kuitenbrouwer

At Etsy

Rachel Ruysch and Prosperous Floral Bouquet Studies

I have studied some Dutch Golden Age painters in the past, and Rachel Ruysch (1664-1750) was one of my favourite painters. She painted very well, but she also had ten children! It bemuses me how one can paint so exquisitely and have ten children (therefore a minimum of ten pregnancies). One may assume that she died a tragic and premature death, but she did not. Her dated works establish that she painted from the age of 15 until she was 83. When it came to her household, though, she had help, because she could afford it. But I am not planning on writing about my role model. I want to point out that Dutch floral paintings in the Golden Age are an illusion. When we buy lush bouquets at the supermarket, we have little to no knowledge about the plants; we don’t know when they bloom and where they come from. We care a little about seasonable vegetables and fruits, but we don’t know where flowers come from. Golden Age floral painters studied flowers by making meticulous sketches and writing down which colours they needed.

Rachel Ruysch.png

Upon designing a large floral bouquet, they needed to check their notebooks and sketchbooks. This way, they put together flowers that do not bloom at the same time, and they also added seasonal butterflies or insects, therefore showing spring, summer, and autumn in one painting. Nowadays it is easy to consult a book or check a photo, and then put together flowers from all over the world, flowers that never bloom together at the same time. The difference between the Golden Age and now is that we fly in vegetables, fruits, and flowers, and that isn’t good for our carbon footprint. Golden Age painters created prosperous bouquets, not with the help of cargo trucks, cool cells, or air-planes, but with their own notes and sketches.

Paula Kuitenbrouwer

At Etsy & Instagram

At Kunstinzicht.nl