Should you offer your artistic freedom in exchange for exposing your artwork?

With my daughter at York University, I look back fondly on my halcyon years of being a home-school teacher. I retired as a home-school teacher some years ago after which I expanded my portfolio (drawings & paintings). Starting a creative job caused some trepidation. Of course, there are many manuals for starting a business, however there is no playbook for expanding one’s portfolio; you -as an artist- have to write that playbook yourself. Along the way of growing my portfolio, I noticed how creativity is progressively framed by social and digital media.

My Swan and Pumpkin artwork.

These days there are many digital fora on which artists exhibit their work; social media platforms are helpful for setting up a business but probably equally limiting or even compromising creativity. How much of your creativity are you willing to sacrifice putting yourself out there? This question slowly emerged after the first elated feelings resulting from rekindling my creative life. (Not to say that being a home-school mother hasn’t been creative, it sure was). But once past the tickled pink phase of selecting platforms, I had to write an ‘About me’. Here presents the first creative limitation in which you are expected to function. What about it isn’t about me but about my art? What follows is a multitude of lay-outs in which you showcase your work, express yourself, communicate with your colleagues, and possible meet customers. Somebody has done the thinking for you; you only have to follow guidelines and lay-outs, often resulting in having friends and fun. But where is your creativity? Is it still there?

Mandarin duck double folded note card by Paula Kuitenbrouwer

Surely, you can be creative and do a sterling job within these frameworks, but these are frameworks nonetheless. Creative minds squeeze themselves into configurations and the question thus is how much original creativity gets lost along the way? Also, where can an artist still be boundless creative? How would my art or your art look like had we lived during the High Renaissance (no digital representation)? Or at the time French Impressionists left their studios to paint the outdoors the way they saw it, not the way art galleries told them to paint for clients?

Aren’t we collectively making too many and profound concessions? Are we forsaking to teach the next generation to function outside digital media? Creatively thinking outside the box? Are we building character or are we the best boy in the social media classroom? Will the next generation yield a Raphael or a William Morris? How much room is there to develop one’s creativity when one compromises to existing arrangements? The onslaught of functioning within digital per-modeled lay-outs damages, standardizes, and limits our creativity. That is because no matter what, formats dictate our functioning despite I am often pleasantly surprised how much wiggle room artists find within rigid frameworks.

My workstation shows work in progress on my Yukiwa composition.

Allow yourself to be creative outside your studio, outside your website, outside social media platforms. Once trapped into these Faustian patterns (selling your creative soul for exposing your artwork) search for maximal freedom. A website is better than a blog because a website allows you more design tools. A blog is better than an Instagram account (self explanatory). A physical sketchbook is better than a digital pad. Use creative tags instead of existing ones, despite that might give you less exposure. Although creative minds can work with a minimum of tools, always run a mental check whether you actually want to give in to per-existing formats. I applaud the generation that shrugs off social media and finds new and original ways to grow their businesses.

Paula Kuitenbrouwer, Drs. M.A.

Website at mindfuldrawing.com

Art shop at Etsy & Portfolio at Instagram

How are the killers and midwives of your art? Read more here.

May I kindly ask, have you appreciated this essay? My website by now tallies 180,000+ visits, with visitors reading an average of 2-3 pages. It is my wish to make my website more self-supportive. Please, feel invited to support and to return to my website that has fine art, spirituality, and nature appreciation at its heart.

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Mandarin Duck Art Cards (2)

Two double folded art cards, professionally printed, showing a mandarin duck couple standing on one leg -closely together- to confirm their life long bond. Comes with two matching envelopes. Free Shipping.

€18.00

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Best Visited Articles: 184.000 views (and counting)

I oscillate between my love for drawing and writing: one day I like writing, the other day I need to paint. When I paint, my love for using colours or using graphite (monochromatic artwork) also swings back and forth with a regular rhythm. It is this versatility, this fight between my pen, pencils and palette, that keeps me ambitious and eager to learn new skills, better grammar, and new styles.

My website statistics list almost 190.000 visitors. This prompts me to offer you an index, slightly categorized, so that -perhaps- you will appreciate an article that hasn’t brought you here via search terms.

This website consists of a variety of seemingly unrelated subjects. However, there is one thing that does bind all these different subjects and that is Jane Austin’s advice: ‘Write what you know’. All that I have written or painted starts with inspiration that comes to me, my thoughts, feelings, and take on life. Hopefully my articles offer you great reading pleasure and hopefully my art will enrich your feelings.

Creative Writing

Writing is fun, therapeutic, a good exercise for the brain, and it feels like painting; you start with a draft and over the days you add more layers of thoughts and quotes, more polished vocabulary, more interesting sources, and refinement. Not a day passes in my life without reading and annotating what I read. I love to pen down quotes, sources, thoughts in my dairy which later will enrich my essays or articles. Here are a few of my most visited articles:

Prehistory

During my youth the Middle Ages was my favourite time in history. As I grew older, I found myself drawn to even older times, to Ancient, Neolithic, and Prehistory. At Oxford Department for Continuing Education I followed two courses on The Celts and Prehistory with great pleasure and I haven’t stopped reading books in prehistory ever since. Here are my essays and articles that have our deep past as subjects:

Mandarin Ducks

Picture my website to be a duck pond, surrounded by lush lotus plants. Which water birds will you spot regularly? Mandarin ducks, or Aix galericulata in Latin. This is because I draw and paint mandarin duck commissions. I opened an Etsy shop in 2011 and mandarin ducks stole the show. It is certainly not that I draw and paint mandarin ducks exclusively, I do other artwork too. However, to make my art-making self supporting, I keep on drawing and painting these lovely birds which always fill me with happiness. It is said that by having mandarin duck art in your home, works wonders.

Art Musings

There are many artists who find inspiration in nature, and so do I. But I find inspiration in art perhaps even more. Art inspires art. Culture inspires culture. Love inspires love. I can spend a whole essay on these cliché quotes, explaining in detail how this works (and I have), but sauntering about in art galleries or museums, or leafing through an art-book instantly fills me with inspiration and musings. Enjoy!

Monochromatic Artwork

Although working with colour is soul nourishing, making monochromatic artwork feels remarkably more soulful. It is as if you lay bare the matter of the soul after taking away its colours. Monochromatic artwork often reveals and uncovers the essence of things. I have a great love for my coloured pencils, but I love equally designing monochromatic bookplates. Bookplates are traditionally monochromatic but nowadays they are more and more in three primary or in full colour because colour printing has become affordable.

ART PROJECTS

For miscellaneous posts, scroll down and down each article and see all categories (subjects) that -with one click- offer you more subjects to explore. Another method to find more inspirational posts is looking at ‘Related Posts’ under each posts you have just found.

Paula Kuitenbrouwer

Paula’s portfolio at Instagram

Paula’s art store is at Etsy.

Contact Form:

Forest Scene: Mandarin Ducks Resting on a River Bank

The mandarin ducks (Aix galericulata) have carefully chosen a place to rest. They seems to blend in with the dark background, thus if necessary, they will respond quickly by taking to the waters and thus escape predators. The river is calm, the forest is rich in sounds and smells, and all is well. The reflection of the lovely couple is visible in the calm water. Birds are flying over. 

The duck and drake have just decided to take a rest and have already positioned themselves on the bank. The duck is checking the left, the drake checks the right, if all feels safe they will soon tuck their bills into their wings and take a nap. After that they will look for food again, synchronized as they are. They are life long partners, like swans. In Asia mandarin ducks represent love and loyalty. On the photos of this drawing, you will notice a few wooden ducks. They are used, in Asia, like drawings, prints and paintings, to enhance feelings of love and loyalty in homes and rooms between couples. Seeing bonding ducks, seeing how synchronised they are, makes people long for a deep belonging, a deep bond between lovers.

This is a softly rendered graphite drawing. On my Etsy home page and Instagram you can watch a video of the making of this drawing. I have done many Mandarin duck commissions for homes, weddings, engagements, stationary, or meditation/sleeping rooms. Contact me should you have specific wishes regarding a mandarin duck drawing. Also, have a look at my shop where you will find mandarin duck mini-prints, cards, and full colour drawings. May I advise to have a full colour drawing of mandarin ducks in a monochromatic coloured room and a softly rendered graphite drawing in a colourful room?

Artist information: Derwent graphite H-series pencils on Arches hot press paper 31-41 cm.

Although Mandarin ducks are Asian ducks, Dutch park and estate owners buy these ducks to add some bright colours to their duck ponds or castle moats. Mandarin ducks then need nesting facilities because in nature they breed inside tree cavities. They seem to do well in Dutch weather. I am very lucky to have spotted them nearby my home town. One thinks that they stand out splendidly, but I can assure you that even the very colourful drake often seems to blend in its surroundings perfectly.

Paula Kuitenbrouwer

@mindfulfdrawing on Instagram (video  link)

at Etsy

at Instagram

mindfuldrawing@gmail.com

New Work in the Making

I am working on the successor of ‘Praising Plants‘, ‘Ode to All Oak Trees‘ and ‘Sophisticated Succulents‘ and returning to William Morris for inspiration.

For years, William Morris didn’t appeal that much to me because I was still under the influence of my study of Dutch Baroque floral painters. They, as no one else, could create depth and a feeling as if you were looking at a real bouquet. These Golden Age masters positioned their composition in such way that a large flower vases, with all seasonal flowers, would stand proudly on show and you could -in your mind- walk around it. You would admire not only the flowers but also water-drops and insect that rested on big and small petals. But, of course, you were looking at an illusion. Dutch floral painters studied flowers, one by one, made sketches on them, and then set up a composition as if all flowers were all in bloom at the exact same time, which is never the case in nature. A wonderful illusion; a much admired illusion.

William Morris looked one dimensional compared to these baroque painters, yet, I learned to see that compared to modern flower designs, Morris’s work certainly isn’t one-dimensional. He may not create as much depth as I would like to see, but he weaves flower stems, creating the feeling as if you are in nature and looking at bushes, trees, and flower beds. Some flowers are near, some further away.

My drawing will have another lovely title using again a two word alliteration. You are invited to guess. However, before doing that, one needs some botanical knowledge and isn’t that not exactly what makes us love William Morris? He educates and inspired us with his design, botanical knowledge, and colourful palette.

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William Morris mainly scatters and extends broad leaf foliage, flowers, and sometimes animals for the purpose of creating a repetitive, yet not too repetitive, wall paper design. There is a difference in what we expect from wall-paper, a painting, and from a mural. We expect a mural to trick us like Harry Potter on Platform 9 ¾: we like to run into the world that is suggested by a mural. Wall-paper, on the other hand, aims at supporting the design and décor of a room. Wall-paper must suggest less depth than a mural or painting, but more than a brick wall, by weaving the stems of flowers and using the technique of foreshortening, Morris does exactly that however not overly.

I have yet many white spaces to fill up with my own designs; this way of freehand drawing is enjoyable. 

Here you find more on my William Morris Trellis watercolour painting. (Click here)

Paula Kuitenbrouwer   

My shop is at Etsy & and my portfolio at Instagram

Trellis by Paula Kuitenbrouwer