Portfolio Paula Kuitenbrouwer

A website requires often changing its ‘theme’ (i.e. lay out) for security reasons. And thus, through the years I have given my website different themes. It is always nice to see a revamped website, but in case you do not opt for a more expensive theme, you lose information. I thought why not present my portfolio? Most of it must have fallen off my website due to implemented changes. I invite you to enjoy my artwork and please feel free to ask all sort of questions should you like to ask me something.
I have painted butterflies, birds, and tulips so often, I can paint them now without reference photos. Every time a butterfly, tulip, or birds comes alive on my drawing pad, I feel joy.
It is very rare for me sauntering through a park or through woodlands, enjoying a holiday outside my home town without feeling hugely inspired. Although I have done Celtic art projects, prehistoric studies, architectural drawings, and bookplate commissions, most of my drawings and paintings are observational records of memorable nature experiences.
Autumn is my most inspiring season. Those beautiful, deep, and spiritual ochre colours never fail to make me grab for my sketchbook.
Working on commissions and being in contact with customers is important to me. The interaction between a customer who has a wish lingering in his or her mind and me trying to grasp that wish and transform it in to a painting of drawing is a wonderful task.
Architectural drawings of monuments or prehistoric studies, every project results into more knowledge and more joy in drawing and painting.
Of all the different themes and projects I have done over the years, mandarin ducks and book plate commissions are the most regular. It is such a honour to be trusted to draw or paint a personalised book plate or living room painting with lovely mandarin ducks.
I have done a large floral triptych during the Sars-Cov-2 lockdown. It goes without saying that busying myself with large tulips, irises, and daffodils brought much joy in an otherwise scary and depressive time. See here: the power of art!
Book plates, mandarin ducks, sashiko decorations, a medieval Ex Libris, and an architectural freehand drawing. Express your wish and let me try to capture it on paper or canvas.
When I am not working on a commission, I busy myself with freehand drawing. I grab an old, art book and copy masterpieces of the past. Or I find Iron Age art objects in museums and try to crawl into the mind of its long dead maker. Or I design Christmas cards, greetings cards, textile prints, or study traditional or ancient geometric signs (Celtic, Iron Age, Japanese, Aboriginal, Saxon). I haven’t been a day without feeling inspired and I would need a few more lives with more time to be able to grow through art, to deepen my understanding of art, and to honour artists that have enriched our lives. Without Bach’s music, we wander in the dark. Without art we fail to communicate the meaning of life.

Paula Kuitenbrouwer

at Etsy

https://www.instagram.com/mindfuldrawing/?hl=en

Bookplate History Books Ex Libris

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I drew an engaging Ex Libris is for those who study, love, writes or owns (history) books. Or books on Prehistoric Peoples, Celts, Anglo Saxons, Viking, Medieval or Renaissance books. It shows many areas of interest starting at the Prehistory (top), following anti-clockwise with Saxon-Viking, Medieval and Renaissance border.  The inside patterned border is in style with the outer border; upper part shows an Celtic interlace pattern, followed by a Saxon pattern in the Saxon-Viking area, a Medieval, and elegant Renaissance pattern.

The bookshelves show special areas of interest too: the top book shelf shows history books on prehistory. They are all in soft red ochre, the colour that shows up on many prehistoric cave paintings. The book cover embellishments are based on research done by Genevieve von Petzinger, a scientist who identified pictographs used by prehistoric peoples in cave art. You see aviform, circle, cardiform, cruciform, negative and positive hands, serpentiform and so on. The next bookshelf is reserved for Celtic books, showing book-cover embellishments that are typical Celtic. Following is a shelf reserved for Saxon books, (notice ‘Saxon’ written in Saxon letters), and Viking books, showing ‘Viking’ as a transliteration (not as a translation). One bookshelf lower, the books get more colour as they contain Medieval books; the embellishments show a castle, a medieval ‘M’, a crown, flowers, etc. The lowest bookshelf proudly shows Renaissance books that have more bright colours and more floral and decorative embellishments.

The name box is for your name. Might I suggest you do that with sepia-brown ink?

The book plates make a lovely, special and unexpected gift as they are engaging and full details. In fact, one can sit down and take in all details for a long time. ‘Find the Dolmens…’ (in the Celtic border), ‘Admire Oxford’s Bridge of Sighs (Medieval border), ‘Can you locate Florence?’ (Renaissance section), ‘How many Viking shields do you spot?’ (Viking section). One could imagine that the Celtic roundhouses are located in an Irish-British landscape. The Saxon houses could be imagined in Germany. The Viking houses are located near a fjord. The Medieval houses are showing a busy town with less green, buildings are cramped together for defence reasons. The Renaissance buildings are full pride and glory. It must have been dazzling living in a Renaissance city. This Ex Libris shows West European history. It could, however, show another cultural aspect, for instance, a different time-line, a different history related to another part of the world, another religion, history or cultural aspect, a mathematical border, geographical, philosophical, musical, botanical, zoological one. I can draw any Ex Libris that shows personal preferences. Contact me to discuss your commission.

Paula Kuitenbrouwer

At Etsy

This Ex Libris at Etsy