Abstraction in Sashiko and Iron Age Art

Sashiko, Japanese traditional pattern stitching, is an interesting geometrical challenge. Equally interesting is discovering the meaning of the old Japanese patterns; some refer to nature scenes. Like ‘Linked Plovers or Chidori Tsunagi’:

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‘Wind blowing Grasses or nowaki’,

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‘Diamond Blue Waves or hishi seigaiha’.

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With the help of transparent geometrical templates bought Aliexpress, I copy and design the Sashiko patterns on paper and later transfer them to fabric. What I also like about the stitched geometry of Japan is the level of abstraction of the designs. Iron Age artists mastered abstraction; think about the Uffington White Horse in the UK.

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As I love using details and details in details, abstraction is a great challenge to me. Which lines can you erase and still have a flower, bird, or horse? Which lines are essential? And how does a geometrical design help the human brain to perceive abstract images and connect them to our life?

Paula Kuitenbrouwer

 

2 thoughts on “Abstraction in Sashiko and Iron Age Art

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